The Stone Roses [debut]
release date: Mar. 13, 1989
format: vinyl (ORE LP 502) / cd
[album rate: 4 / 5]
[3,96]
producer: John Leckie
label: Silvertone Records - nationality: England, UK
Track highlights:
1. "I Wanna Be Adored" (4 / 5) -
2. "She Bangs the Drums" (4 / 5) (
live) -
3. "Waterfall" (
studio live 2013) - 5. "Bye Bye Badman" -
7. "(Song for My) Sugar Spun Sister" (
live) - 8. "Made of Stone" - 11. "I Am the Resurrection"
Studio album debut by Manchester band The Stone Roses consisting of vocalist Ian Brown, guitarist John Squire, Mani [aka Gary Mounfield] on bass and Reni [aka Alan John Wren] on drums, backing vocals and piano. All 11 songs are credited Ian Brown and John Squire. Stylewise, the album was released as indie pop and jangle pop, which had its roots in the Manchester scene with close bonds to The Smiths, but time has first and foremost put it in the category of baggy / Madchester and neo-psychedelia including bands like Inspiral Carpets and Happy Mondays all of which with connection to the (New Order) nightclub The Haçienda music scene, but also with a distinct relation to other bands like The Sundays (jangle pop / dreampop) and Australian band The Church (jangle pop / neo-psychedelia).
I bought the album upon its release after having heard the single hit "She Bangs the Drums" on the look-out for the "new big thing" after the demise of The Smiths. It was quite all right and pretty good, but it wasn't great, imho. What I became more hooked on was the music by Kitchens of Distinction, also releasing their debut album in '89, music by Bob Mould and Pixies with more power-fuzed compositions. However, time has been quite gentle with this album, I think. Actually, I consider it a whole lot better today than I did back then. I would play the first half of the album finding that part above average, but as a whole, I thought of it as too unfocused and without sufficient variation. I also found it somewhat difficult to label 'cause was it close to The Smiths and jangle pop, or was it more in line with noise pop or dream pop bands like The Sundays?
What is particular good is not just the variation of mood and energy, there's also a fine incorporation of classic pop pointing back to The Byrds and a baroque pop period, which basically had its comeback with britpop - Oasis and Blur, years later - and there's the whole neo-psychedelic part linking the band with the 60s and a long line of bands dealing with that style throughout the 70s and into the 80s where it fuses with other styles and genres. The Church, XTC and Love and Rockets all incorporated neo-psychedelia but none of these bands were dance-oriented like The Stone Roses and the baggy / Madchester scene of late 80s Manchester.
The album is enlisted in "1001 Albums You Must Hear Before You Die".
The front cover is a Jackson Pollock-inspired painting "Bye Bye Badman" by John Squire.
[
allmusic.com, Q Magazine, Uncut 5 / 5,
Rolling Stone 4 / 5 stars ]
[ collectors' item, 1989 repress 'near mint' -
from ~ €60,- ]
