Showing posts with label club. Show all posts
Showing posts with label club. Show all posts

15 March 2019

Best of 2013:
Stromae "Racine carrée" (2013)

Racine carrée
release date: Aug. 19, 2013
format: 2 lp (gatefold) (orange vinyl) / 2 lp vinyl (2026 reissue) (gatefold)
[album rate: 4 / 5] [4,16]
producer: Stromae with various others
label: Mosaert / Island France / Universal - nationality: Belgium

Track highlights: 1. "Ta fête" - 2. "Papaoutai" - 3. "Bâtard" - 4. "Ave Cesaria" - 5. "Tous les mêmes" (live) - 6. "Formidable" (live on KEXP) - 7. "Moules frites" - 8. "Carmen" - 9. "Humain à l'eau" - 10. "Quand c'est?" - 11. "Sommeil" - 12. "Merci" - 13. "AVF" (feat. Maître Gims & Orelsan) (live)

2nd studio album by Stromae following 3 years after the acclaimed Cheese (Jun. 2010) is like that produced by Stromae himself and released on his own label Mosaert via Universal Music France. And 'produced by himself' this time means co-producing with various others. Only Thomas Azier is co-producer on 3 tracks, Aron Ottignon co-producer on 2 tracks, and then follows 13 other artists as co-producers on individual tracks. I guess, Stromae perhaps wanted a more multi-facetted sound on this compared to the strict and more simplistic debut, although, he's still very much in charge of everything.
All songs and music are credited Stromae except three tracks: tracks #4, #8, and #13 are co-composed by Orelsan (aka French rapper Aurélien Cotentin), and track #13 also with Maître Gims (aka Congolese-French rapper Gandhi Alimasi Djuna). The title of the album is French for 'Square-root', which is underlined on the front cover with the symbol '√x' - something that suggests an exploration of his own roots, musically, and with regards to his identity - ultimately, pointing at circumstances and influences that has formed him as an artist and as a human being.
Cheese came out as an international monster hit debut selling Platinum and Gold in a number of countries and making it to number #1 in Belgium, number #6 in France, and Stromae went from quite anonymous to world famous with one single album. Racine carrée follows closely in the footsteps of the predecessor and it contains some of the same identifiable originality that he laid out three years earlier, and then it adds to his characteristica. Musically, it's a stunning accomplishment to par and even better the great debut with something that more than equals and proves his worth as composer, songwriter and arranger by showcasing new dimensions to his talent. The album is filled to the brim with dance-oriented tracks and hooks and then he continues his speciality by mixing chanson with club & dance. Lyrically, this appears to be filled with a critical perspective on modern life, racism, personal relationships, and more. It's all-encompassing in what appears as another exceptional album. He speaks about so many things here that makes it near extreme. He narrates about SoMe, about a poisonous relationsship, a note on cancer, a reminder about mixed races, a song about pretention, and a song about how the human race appears to have evolved beyond what's reasonable, there's a hommage to Cesária Évora, a song about his father... Every song matters and it works on so many levels that it leaves you almost speechless. What a gifted artist!
Strongest recommendation.
[ allmusic.com, Metro 4 / 5, Télérama 4 / 4 stars ]

Edit 2026:
The 2026 reissue is a double vinyl album with 3 tracks on each side but with the exclusion of the final track "AVF" for reasons unknown. The song appears in the original issue of the album. Nothing has been declared regarding the omission. Guesses are basically two-fold: 1) it's about credits as the song is co-composed by the two artists Maître Gims and Orelsan - the latter is also co-writer of track #4, and supposed conflict of interest is the presence of Maître Gims, who has been subject of several controversies, which releates to plagiarism, homophofia, and most recently: he has been subjected to investigations regarding money laundering. I think, Stromae simply wanted to cut the connection by leaving out a track involving Gims. 2) Perhaps the main reason is that the song doesn't represent what Stromae is all about. The title 'AVF' is short for 'Allez vous faire!', which means 'Go fuck yourself!' / 'Fuck you!" and alone that makes much sense sinse the lyrical content of the song doesn't coinside with the other songs on his album, or any other album by Stromae - this is simply not part of his artistic identity. The really bad thing is that it's musically one of the fine ones on the album.


2013 Favourite releases: 1. Stromae Racine carrée - 2. Arctic Monkeys AM - 3. Tindersticks Across Six Leap Years

19 October 2017

"Sexy & Dirty House Music Vol. 1" (2011)

Sexy & Dirty House Music Vol. 1 (compilation)
release date: Oct. 19, 2011
format: digital
[album rate: 3,5 / 5]

Album excerpts: 1. Johny S "Can't Get Enough (Original Mix)" - 5. Chantola "Chicago (I Need You) (Original Mix)" - 8. Johny S "Smooth Operator (Chantola Remix)"

A compilation album of club house. This may be a series in many volumes, but this specific album is surprisingly quite good.

27 October 2015

The Sugarcubes "It's-It" (1992)

It's-It, remix album
release date: Oct. 27, 1992
format: cd (MRCD 3205)
[album rate: 3,5 / 5] [3,62]
producer: various
label: Mega Records - nationality: Iceland

Track highlights: 2. "Leash Called Love (Tony Humphries mix)" - 3. "Blue Eyed Pop (S1000 mix)" - 4. "Motorcrash (Justin Robertson mix)" - 6. "Gold (Todd Terry mix)" - 7. "Water (Bryan 'Chuck' New Mix)" - 11. "Hit (Tony Humphries Sweet & Low mix)"

A remix album by The Sugarcubes originally released on One Little Indian. No, it's not an original studio album of new compositions but it's neither a mere compilation of best of, left overs or rarities but an interesting remix album. The songs are taken from the band's three studio albums and most of them have been heavily remixed by various artists. Only "Regina" comes in a Sugarcubes remix, and that's also the compositions sounding most alike the original version. Some tracks have little in common with the familiar song and others still carry recognisable traits from the blue print, and then some are very fine remixes with new stylistic qualities, and yet others are too strange.
The album was the second album that I bought with the band, and perhaps the reason why I didn't bother buying the other two until later. 'Cause many of the best songs from both Here Today... (1989) and Stick Around for Joy (1992) appear on this in heavily "remixed" versions, and frankly, I found these better than the original album versions, although "Birthday" comes in two versions, none of which are better than the original. "Leash Called Love (Tony Humphries mix)" is an even better song here, and all remixes are composed as dance-pop or alt. dance with house as a common denominator, which only add that extra energy to some of the more ('artsy-farty') art pop original compositions.
All in all, a very fine collection.

16 December 2014

Bloc Party "Intimacy Remixed" (2009)

Intimacy Remixed (remix)
release date: May 11, 2009
format: digital
[album rate: 3 / 5]

Tracklist 1. "Ares (Villians Remix)" - 2. "Mercury (Hervé Is in Disarray Remix)" - 3. "Halo (We Have Band Remix)" - 4. "Biko (Mogwai Remix)" - 5. "Trojan Horse (John B Remix)" - 6. "Signs (Armand Van Helden Remix)" - 7. "One Month Off (Filthy Dukes Remix)" - 8. "Zephyrus (Phase One Remix)" - 9. "Talons (Phones RIP Remix)" (4 / 5) - 10. "Better Than Heaven (No Age Remix)" - 11. "Ion Square (Banjo or Freakout Remix)" - 12. "Letter to My Son (Gold Panda Remix)" - 13. "Your Visits Are Getting Shorter (Double D Remix)"

Remix album by Bloc Party. Again, a remix release of their latest studio album. This time I actually find it a welcome release. Stylistically, the band has moved into electronic and alt. dance, which makes this more of a digestible remix. Kele obviously has a certain something for club and dance, and this only adds to their new style. "Talons" is still a great track in this outfit.

29 June 2014

Bloc Party "Silent Alarm Remixed" (2005)

Silent Alarm Remixed (remix)
release date: Aug. 29, 2005
format: cd
[album rate: 2,5 / 5]
producer: various
label: Wichita - nationality: England, UK

Tracklist: 1. "Like Eating Glass (Ladytron Mix)" (2 / 5) - 2. "Helicopter (Sheriff Whitey Mix)" (2,5 / 5) - 3. "Positive Tension (Jason Clark Remix)" (2 / 5) - 4. "Banquet (Phones Disco Edit)" (3,5 / 5) - 5. "Blue Light (Engineers Anti-Gravity Mix)" (2 / 5) - 6. "She's Hearing Voices (Erol Alkan's Calling Your Dub Reworking)" (1,5 / 5) - 7. "This Modern Love (Dave Pianka's Making Time Remix)" (1,5 / 5) - 8. "The Pioneers (M83 Remix)" (2 / 5) - 9. "Price of Gas (Automato Remix)" (1,5 / 5) - 10. "So Here We Are (Four Tet Remix)" (2 / 5) - 11. "Luno (Bloc Party vs Death From Above 1979)" (1,5 / 5) - 12. "Plans (Replanned by Moqwai)" (2,5 / 5) - 13. "Compliments (Shibuyaka Remix by Nick Zinner)" (2,5 / 5)

A remix album by Bloc Party of the band's debut released 6 months after the original album. Now, why was this ever necessary? I bought the album without listening to it first. Having heard only good music from this band, I just wanted everything they released, but this was a waste of money. Everything they had done so far was in the spirit of the new post-punk revival wave. Even the cover is a 'repro' of the artworks by Peter Saville and Joy Division but here the music goes elsewhere. In retrospect, it only signals that the band is much more than just post-punk but the result is not good, although a lesser version of "Banquet" doesn't manage to ruin the song. Almost all tracks are club dance remixes of every song on the original album with a few daring exceptions.