Fatboy Slim "You've Come a Long Way, Baby" (1998)

You've Come a Long Way, Baby

release date: Oct. 1998

format: cd / digital (2008 2cd 10th Anniversary Edition)

[album rate: 4 / 5] [4,08]

producer: Fatboy Slim

label: Skint Records - nationality: England, UK

Track highlights: 1. "Right Here, Right Now" (4,5 / 5) - 2. "The Rockafeller Skank" - 4. "Gangster Tripping" - 5. "Build It Up - Tear It Down" - 9. "Praise You" (4,5 / 5) - 11. "Acid 8000"

2nd studio album by Fatboy Slim following his fine debut Better Living Through Chemistry from '96 is like that released on Skint and produced by Fatboy Slim (aka Norman Cook). The title is taken from the American cigarette brand Virgina Slims, which was sold (to women as target group) in the 1960s and 70s using the slogan "You've Come a Long Way, Baby" - the title here then is used with reference to the cover and the official video for track #1 as an ironic statement about the human race.

Despite being crafted almost only using heavy sampling, the album is very much of a whole, building on hooks, catchy phrases and small bits from this and that, primarily soul and funk artists, but the common denominator is something original within the big beat style of electronica.

The album spawned four single releases and they all peaked in top 10 on the UK singles chart list. In order, the songs selected for single releases were tracks #2, 4, 9, and 1 with the first two preceding the album release and the last two issued in '99. The third single, "Praise You" (Jan. '99) followed by an official video creation that was work of geniality performed the best peaking at #1 in many countries world-wide including the UK, Scotland, Iceland, and it peaked at #2 in the US on the Alternative Songs list. The last single also performed quite well peaking at #1 on the UK Indie list (#2 overall) and furthermore, the video for "Praise You" won three major awards at the 1999 MTV Video Awards, and in 2000 it was voted #1 of the 100 best music videos ever released in an MTV anniversary poll. The album peaked at #1 in the UK, and it has sold more than 3 mio. copies worldwide and is enlisted in "1001 Albums You Must Hear Before You Die".

The album is undoubtedly Fatboy Slim's best and most coherent album. In 2008, a 2-disc 10th Anniversary Commemorative Edition with 10 bonus tracks was issued on Skint.

Highly recommendable.

[ allmusic.com, Select 5 / 5, 👍NME, Muzik, Q Magazine, Spin 4 / 5, 👎Rolling Stone 3 / 5 stars ]

1998 Favourite releases: 1. Grant Lee Buffalo Jubilee - 2. Mark Hollis Mark Hollis - 3. Fatboy Slim You've Come a Long Way, Baby

Fatboy Slim "Better Living Through Chemistry" (1996)

Better Living Through Chemistry [debut]
release date: Sep. 16, 1996
format: cd (BRASSIC 2CD)
[album rate: 4 / 5] [3,96]
producer: Fatboy Slim
label: Skint Records - nationality: England, UK

Track highlights: 1. "Song for Lindy" - 2. "Santa Cruz" - 3. "Going Out of My Head" - 5. "Everybody Needs a 303" - 8. "First Down"

Studio album debut by Fatboy Slim aka Norman Cook (aka Quentin Leo Cook) former bassist of The Housemartins. Musically, this doesn't have much in common with the former jangle pop band; however, Fatboy Slim may be Cook's new pseudonym but his experiments within the electronic scene started way way earlier, and if he's associated with The Housemartins, it's rather undeserved, 'cause fact is, he released his first electronic solo album All-Star Breakbeats Volume 1 in 1990 under his own name as well as the follow-up Skip to My Loops in '92 - both collections of... loops to use when sampling, and even before that Norman Cook was the leader and main songwriter of the British electronic dub project-band, Beats International, which had a short life-span from '89-92 releasing one fairly successful album Let Them Eat Bingo with the international hit single "Dub Be Good to Me". Before playing in The Housemartins he was already an established DJ of the early 1980s playing primarily American "black music". After ending the Beats International project, Cook went on and formed the acid jazz and hip hop trio Freak Power, which existed from '93-96 experiencing some success before internal friction had him choose a solo career and Fatboy Slim was invented. He has released music by dozens of pseudonyms incl. Pizzaman, Cheeky Boy, Chemistry, Charlie Stains, and many others. In fact, he is known for being the British artist to have featured most times on the UK singles chart list with the most aliases.
Anyway, Better Living Through Chemistry is an electronic samples album of big beat music, which really put him on everyone's lips in the mid-90s, and it's the first of two consecutive albums by Fatboy Slim to be enlisted in "1001 Albums You Must Hear Before You Die". The album contains some really fine hooks and samples, but to me, it's still an album pointing to his past as a DJ mixing this and that, and being allover the place in terms of style. His force of nature keeps him so busy that creating a coherent release seems the impossible mission, although, he would do even better on the follow-up. That said, Better Living Through Chemistry is an energetic and vibrant dance album of high importance for the electronic pool of styles.
[ 👍allmusic.com 4 / 5, 👎Rolling Stone 3 / 5 stars ]

1996 Favourite releases: 1. Bob Mould Bob Mould - 2. Fatboy Slim Better Living Through Chemistry - 3. Ryuichi Sakamoto 1996

The Prodigy "No Tourists" (2018)

No Tourists
release date: Nov. 2, 2018
format: digital (10 x File, FLAC)
[album rate: 3,5 / 5] [3,35]
producer: Liam Howlett
label: Take Me to the Hospital - nationality: England, UK

Track highlights: 1. "Need Some1" - 2. "Light Up the Sky" - 6. "Timebomb Zone" - 7. "Champions of London" - 9. "Resonate"

7th studio album by The Prodigy, which is the continued band-project consisting of dancer Keith Flint on vocals, Maxim Reality (aka Keith Palmer) on vocals and Liam Howlett as the musical mastermind behind it all, as he has made the music with various samples, mixed and produced it all. Flint and Maxim are credited as co-writers on three of the songs and basically "only" contributes with vocals on three and four songs respectively. Aside from the three official band members, the album has been made with various guest musicians, including guitarist Olly Burden, who has co-written four of the songs - on which he's also credited as co-producer - with Howlett and who also plays guitar on three comopsitions.
As the predecessor The Day Is My Enemy from 2015, the album continues in a more aggressive "rave revival" or big beat known as hardcore breaks, which bonds nicely with the first three albums by the band.
The album is the band's 7th consecutive album to peak as #1 on the UK albums chart list (including the compilation album Their Law: The Singles 1990-2005 from 2005), which seems like some sort of record, although, the band hasn't released a No. 1 single since "Breathe" in 1996.
After some time, I have come to enjoy this album more and more - and without comparison, I see it as no less than their best album since The Fat of the Land from 1997.
No Tourists became the last to feature dancer and vocalist Keith Flint as he ended his life in Mar. 2019.
[ allmusic.com, The Guardian, Mojo 3 / 5, Uncut 3,5 / 5, The Observer, The Irish Times 4 / 5, NME 5 / 5 stars ]

The Chemical Brothers "No Geography" (2019)

No Geography
release date: Apr. 12, 2019
format: cd
[album rate: 3,5 / 5] [3,58]
producer: The Chemical Brothers
label: Virgin EMI - nationality: England, UK

Track highlights: 1. "Eve of Destruction" - 3. "No Geography" - 4. "Got to Keep On" - 6. "The Universe Sent Me" - 7. "We've Got to Try" - 8. "Free Yourself" - 9. "MAH" - 10. "Catch Me I'm Falling"

9th studio album by The Chemical Brothers issued after a near four year hiatus is like the most recent Born in the Echoes released on Virgin EMI and as always produced by the duo. It's a ten track collection on which Tom Rowlands and Ed Simmons take a stronger grip on acid house than usually - a style closely related to electro house and something I don't really spend much time listening to. Basically, it's a bit like returning to the early days of techno. There is also some progressive house parts here and there, but the best thing about the new album is the lust to also include big beat as they did on the 2015 album.
The album has been met by positive reviews, and it seems like the duo has re-found its potential.
The album is so fresh to me, but for the time being, I really enjoy it, and from my experience with The Chemical Brothers one simply has to digest their new material to let it unfold before judging too hard. For now; I rate it good above 3,5, but is it a 4 star album and bettering the 2015 release?
[ 👍allmusic.com 3,5 / 5, The Guardian, Mojo, Q Magazine, Uncut, NME 4 / 5, Rolling Stone 2,5 / 5 stars ]

Shaun Ryder "Amateur Night in the Big Top" (2003)

original cover

Amateur Night in the Big Top [debut]

release date: Sep. 2, 2003

format: digital (2012 reissue)

[album rate: 2,5 / 5] [2,68]

producer: Pete Carroll, Stephen Mallinder, Shane Norton

label: Offworld Sounds - nationality: England, UK

Track highlights: 1. "The Story" - 2. "Long Legs (Parts 1, 2, 3)" - 3. "Scooter Girl" - 6. "Northern Soul Brother (Shapeshifter)"

Studio solo debut album with the subtitle "Clowns and Pet Sounds" by Shaun Ryder [aka Shaun William George Ryder], or: a collaboration album credited 'Amateur Night in the Big Top' consisting of Shaun Ryder, Shane Norton, Pete Carroll, and Stephen Mallinder. Well, that's what it was originally; however, in 2012 the album was re-issued as Shaun Ryder's solo debut. Dunno about ownership rights but I do know this: being literally the [exact] same album, it should still reflect that, but it doesn't, and that's where ownership rights enters the big picture. Anyway, by the end of Happy Mondays' partecipation [which also happens to be the end of The Happy Mondays' second incarnation] in the "Big Day Out" festival tour of Australia in 2001, Ryder gathered up in a studio in Melbourne, Australia with Norton, Carroll and Mallinder, who composed, mixed and produced music to Ryder's semi-autobiographical lyrics, and within a week's time they were left with this, which was subsequently released on the small Australian label. When re-issued in 2012 it seems Ryder had gained the ownership rights to release it as his solo debut, although, he didn't regard it as a genuine attempt to make a solo effort.

It's not really in style with the music of Happy Mondays, nor that of Black Grape for that matter, which does suggest that Ryder wasn't really in control of the composing part. It's mainly an electronic and big beat-styled collection of songs with some neo-psychedelia to it. It's not all bad, but it does reflect some quick-mass-up-in-the-studio-recordings, and according to Ryder and his recollection of the recordings as described in his auto-biography "Twisting My Mellon" he was having a bad time, wasn't up for new studio sessions, and mostly was heavily influenced by his substance abuse, which he thinks is quite obvious when listening to the album.

It's too bad, Ryder was down and out while babbling along 'cause fact is, he is a gifted narrator, but it does at times remind you of similar destinies in the music industry.

Not all bad, but somewhat unfocused and somewhat tedious after the first three tracks.

Not recommended.

2012 reissue

The Chemical Brothers "Born in the Echoes" (2015)

Born in the Echoes
release date: Jul. 17, 2015
format: cd (Deluxe Edition - XDUSTCDX 10)
[album rate: 3,5 / 5] [3,86]
producer: The Chemical Brothers
label: Virgin EMI - nationality: England, UK

Track highlights: 1. "Sometimes I Feel so Deserted" - 2. "Go" (feat. Q-Tip) - 4. "EML Ritual" (feat. Ali Love) - 5. "I'll See You There" - 7. "Reflexion" - 9. "Born in the Echoes" (feat. Cate Le Bon) - 10. "Radiate" - 11. "Wide Open" (feat. Beck) - *14. "Go (Extended Mix)" - *15. "Reflexion (Extended Mix)"
*Tracks 12-15 are bonus tracks included on the Deluxe Edition

8th studio album by The Chemical Brothers, released 5 years following Further, is a nice return to the big beat foundation of Tom Rowlands and Ed Simons. Five years is a long time to wait but luckily the two have released a soundtrack album and a fine live album following Further. After having experimented in a more electronic area with focus on electro house and expanding the duo's musical universe, which I enjoyed to great extent with the 2010 album but I didn't fully get the soundtrack album for Hanna (2011), they here turn to their glorious past. They kind of reach back and basically, as I hear it, combine the danceable greatness from Surrender with the more... electronic Further, and thankfully, also skip the neo-psychedelia, tribal house, and hip hop influences from all the duo's three albums in the new millennium. The two best tracks are "Reflexion" and "Radiate" - quite similar in style, and perhaps even the two compositions that are most in "family" with the sound and style found on the previous studio album, Further, and although, it doesn't reach the quality of the 2010 album, it' still one of the best albums of the year.
[ allmusic.com, NME, Mojo 4 / 5, Rolling Stone, Q Magazine 3 / 5 stars ]
[ Anthony Fantano's needledrop review ]

The Prodigy "The Added Fat EP" (2012) (ep)

The Added Fat EP, ep
release date: Dec. 3, 2012
format: digital
[album rate: 2,5 / 5] [2,46]
producer: Liam Howlett
label: XL Recordings - nationality: England, UK

A 6-track studio ep that was issued on a bonus disc edition of The Fat of the Land (2012). All tracks are just new mixes of hit singles from that album, and they are rather dreadful. It contains two different mixes of "Smack My Bitch Up", two versions of "Breathe", a mix of "Firestarter", and a mix of "Mindfields", none of which are worth... much.
It seems the tracks are only techno and / or industrial versions of some really fine songs, and the only argument here is: money. Look, something new from your favourite hardcore breakbeat heroes, and all you get is the emperor's new clothes.
This is another low release from The Prodigy.

The Chemical Brothers "Don't Think" (2012) (live)

Don't Think (live)
release date: Mar. 27, 2012
format: digital
[album rate: 4 / 5] [3,92]

Great live album by The Chemical Brothers. It's always a bit hard to review live albums. The tracks come from various albums over time but the great thing about electronic artists performing live is their ability to create new music based on their own material, and this is absolutely in the high end of live performances as they understand to build the compositions together and make it a whole. Compared to e.g. Sigur Ròs and their fine Inni live album, this is simply a better live performance in the sense that The Chemical Brothers' old repertoire played live becomes brand new material - instead of just playing popular songs like they sound on the original studio albums (like SR), The Chemical Brothers produce live versions of well-known tracks that are stuffed with changes and interpretations of their own material to make everything fit to the moment. Now, that's art!

The Chemical Brothers "Further" (2010)

Further
release date: Jun. 7, 2010
format: cd
[album rate: 4,5 / 5] [4,28]
producer: The Chemical Brothers
label: Parlophone / Freestyle Dust - nationality: England, UK

Track highlights: 2. "Escape Velocity" (4,5 / 5) - 3. "Another World" (5 / 5) - 4. "Dissolve" - 5. "Horse Power" (4,5 / 5) - 6. "Swoon" (4,5 / 5) - 8. "Wonders of the Deep"

7th studio release by the Chemical Brothers is a truly astonishing album in my mind, and "the brothers" are back on track, now pushing big beat to new pastures with electro house in a big beat soundscape. It's been on my car cd-player for a very 10o0ng time (at least when I drive on my own). It's like one long track evolving into new sound and soundscapes. This is one of those albums where you know your speakers and amplifier just aren't good enough.
[ allmusic.com 2,5 / 5, Rolling Stone 3 /5, NME 3,5 / 5, Q, musicOMH, Mojo 4 / 5 stars ]

2010 Favourite releases: 1. Søren Huss Troen & ingen - 2. The Chemical Brothers Further - 3. Robyn Body Talk

The Prodigy "Lost Beats EP" (2009) (ep)

Lost Beats EP, ep
release date: Feb. 18, 2009
format: digital
[album rate: 3,5 / 5] [3,32]
producer: Liam Howlett
label: Take Me to the Hospital - nationality: England, UK

Tracklist: 1. "The Big Gundown" - 2. "Black Smoke" - 3. "Wild West" - 4. "Fighter Beat" (2 / 5)

A 4-track studio ep, which came with a Deluxe Edition of Invaders Must Die. The music is very much the same style as the album, although, I think this is clearly better. The first track is a sampling of music by Ennio Morricone, and it's actually pretty nice. Also, track #2 is fine with its hardcore breakbeat instead of all the hip hop influence. All tracks are instrumental versions only. Track #3 has an intro with a sampling of a Dead Kennedys' track.
It's not really great but points in a better direction than some of their more recent releases.

The Prodigy "Invaders Must Die" (2009)

Invaders Must Die
release date: Feb. 18, 2009
format: digital
[album rate: 3 / 5] [3,14]
producer: Liam Howlett
label: Take Me to the Hospital - nationality: england, UK

Track highlights: 1. "Invaders Must Die" - 2. "Omen" - 4. "Colours" - 6. "Warriors Dance" - 7. "Run With the Wolves"

5th studio album by The Prodigy is released on the band's own label, Take Me to the Hospital (distributed by Cooking Vinyl). All tracks are produced by Liam Howlett with James Rushent credited for additional production on tracks #1-2. Howlett is normally credited as composer on nearly all tracks, but here is 'only' credited as co-composer of the music, and most tracks are Howlett's take with samples originally performed by Nirvana, Foo Fighters, The Breeders, and Manfred Mann.
The album peaked at number #1 in the UK and generally sold better than the 2004 album, and the two singles - tracks #2 and #6 both became top-10 singles in the UK.

Musically it follows close to the 2004 album, Always Outnumbered Never Outgunned and despite being clearly a better album it's never really great release when comparing to the band's first three albums. It's released five years following the last real studio album so expectations were not low. It feels like a better album, and the single tracks seem like more originally written but still has too much focus on original American techno, which I think, simply sounds outdated - we've been there, done that, but obviously, Liam Howlett hasn't been part of that movement, and unfortunately, he seems determined to go through his own techno evolution combining sampling and hardcore, industrial hip hop, breakbeat and hard rock with traditional techno. Strangely, "Stand Up" sounds like an attempt to make a Chemical Brothers track... and again, several tracks are samplings of old The Prodigy stuff, which is just sad when you hear bits of great old tracks cut up to new lesser songs. Best thing about it, is the comeback to both Keith Flint and Maxim on vocals.

The Chemical Brothers "Brotherhood" (2008)

Brotherhood, compilation

release date: Sep. 1, 2008

format: 2 lp vinyl (reissue, XDUSTLP9) / 2 cd

[album rate: 4 / 5]

producer: The Chemical Brothers

label: Freestyle Dust / Virgin - nationality: England, UK

2 lp vinyl compilation by The Chemical Brothers following the release of We Are the Night (Aug. 2007), and then also a follow-up to the duo's first compilation Singles 93 - 03 (Sep. 2003).

The album is a strong collection of great and familiar tunes. My only complaint is that many tracks overlap, i.e. "Hey Boy Hey Girl", "Block Rockin' Beats", "Star Guitar", "Let Forever Be", "Leave Home", "Out of Control", "The Golden Path", "Setting Sun", "Chemical Beats" - that is: 9 out of 15 tracks overlapping with a five year older compilation with more tracks. Isn't that a bit too many? Well, it depends, I guess, 'cause the intention is surely to throw out a sort of best of-album - the other being a collection of singles - and in any case it all means the inclusion of the aforementioned tracks. And unfortunately only six other tracks are found from later releases. Then, so be it. It's my first compilation on vinyl by the band, so I can easily live with that, and it's still a pretty awesome collection.

The Prodigy "Always Outnumbered Never Outgunned" (2004)

Always Outnumbered Never Outgunned
release date: Aug. 23, 2004
format: digital
[album rate: 2,5 / 5] [2,68]
producer: Liam Howlett
label: XL Recordings - nationality: England, UK

Track highlights: 1. "Spitfire" (feat. Juliette Lewis) - 4. "Get Up Get Off" (feat. Twista) - 5. "Hotride" (feat. Juliette Lewis)

4th studio album by The Prodigy released nearly seven years after the huge success with Fat of the Land (1997). The tracks are primarily written by Howlett and several tracks are co-written with Neil McLellan who also mixes, does programming, and adds vocals to several tracks, although, he has not been adopted as an official member. Musically, this is a 'back to the basics' of techno (which has much of its origins in the US), but it's also a continued journey into sampling and with much hip hop-inspiration.
To me this was a rather disappointing release. It's put together and produced by Howlett as usual, and both Flint and Maxim's vocals are missing. However, the mix with more original techno simply ruins the 'clean' British breakbeat and big beat somewhat. Some of the tracks are mere samplings of former The Prodigy hits, i.e. track #6 "Wake Up Call" is simply too close to "Firestarter". The album had no real single hits but sold rather well. Both Q Magazine and Rolling Stone only gave it a two-stars review, and allmusic.com handed it 2,5 to this their so far lowest point, which I agree on is a mediocre output. The best tracks feature Juliette Lewis (from Juliette and the Licks) on vocal.

Rammstein "Du hast" (1997), single

Du hast, single
release date: Jul. 21, 1997
format: cd
[single rate: 4 / 5] [3,78]
producer: Jacob Hellner, Rammstein
label: Motor Music - nationality: Germany

Tracklist: 1. "Du hast (Single Version)" (5 / 5) - 2. "Bück dich (Album Version)" (3,5 / 5) - 3. "Du hast (Remix by Jacob Hellner)" - 4. "Du hast (Remix by Clawfinger)"

Single release by Rammstein and the second single issue prior to the release of the forthcoming second album Sehnsucht to be released the following month. The title track seems the same as on the album, which also goes for the second track, whereas the last two remixes offers new versions. The first and best remix by producer Jacob Hellner is an electronic big beat (The Prodigy-like) version of the single, and the last Clawfinger remix is an alt. metal hard rock version, which is a rather inferior version; however, the original version is a truly fabulous track.

The Chemical Brothers "We Are the Night" (2007)

We Are the Night
release date: Aug. 2, 2007
format: cd
[album rate: 3 / 5] [2,98]
producer: The Chemical Brothers
label: Freestyle Dust / Virgin - nationality: England, UK

Track highlights: 7. "The Salmon Dance (feat. Fatlip)" - 12. "The Pills Won't Help You Now (feat. Tim Smith)"

6th studio album by The Chemical Brothers and a bit of a low point in their career. I think that many thought The Chem Bros were history at the point of this release. Everyone wanted to work with the duo and they featured and collaborated on other artists' works - here they welcome too many different artists, which is a continued procedure from Push the Button, only here the guest artists play a more dominant part, which makes it a bit of a bland experience. Klaxons feature on "All Rights Reversed" making the track sound more like Klaxons than The Chemical Brothers (which can't be good), and same thing goes for "Battle Scars (feat. Willy Mason)" - a rather strange electronic folk rock [!] composition.
The album cover is great, though! And it still contains a few good tracks including track #12, and the best track: the hilarious hip-hop, rap, and big beat tune, track #7, The Salmon Dance (feat. Fatlip). The music video is another great achievement. But one great song doesn't save an album off the target.
[ allmusic.com 3 / 5, PopMatters, The Guardian, Uncut 4 / 5 stars ]

The Prodigy "Baby's Got a Temper" (2002) (single)

Baby's Got a Temper, single
release date: Jul. 1, 2002
format: digital
[single rate: 3 / 5] [3,22]
producer: Liam Howlett
label: XL Recordings - nationality: England. UK

Tracklist: 1. "Babys Got a Temper (Main Mix)" - 2. "Babys Got a Temper (Dub Mix)"

A single release by The Prodigy, which wasn't released on any of their studio albums. The track is written by vocalist Keith Flint for his side-project, Flint featuring on the album Device #1 (2003) as last uncredited (hidden) track "No Name No Number (NNNN)", but as usual it has been produced and mixed by Liam Howlett.
The reception of the single was mostly a negative one, as many saw this as a step backwards and / or in a more superficial direction. Also, the music video led to a lawsuit against the band due to its depiction of drug abuse and sale of cows milk with drug effect.

The Chemical Brothers "Push the Button" (2005)

Push the Button
release date: Jan. 25, 2005
format: cd
[album rate: 3 / 5] [2,88]
producer: The Chemical Brothers
label: Freestyle Dust / Virgin - nationality: England, UK

Track highlights: 1. "Galvanize (feat. Q-Tip)" - 2. "The Boxer (feat. Tim Burgess)" - 3. "Believe (feat. Kele)"

5th studio album by The Chemical Brothers, which has some of the same style as Come With Us (2002) and like that it lacks the really great compositions. It may not have as much focus on tribal house but the various collaboration works with featuring artists obscure the picture and make it more experimental house. The first track featuring Q-Tip is the only fine experience here.
[ allmusic.com, Rolling Stone 3,5 / 5, PopMatters, The Guardian 4 / 5 stars ]

The Chemical Brothers "Singles 93 - 03" (2003)

Singles 93 - 03 (compilation)
release date: Sep. 22, 2003
format: digital
[album rate: 4 / 5]
producer: The Chemical Brothers
label: Freestyle Dust / Virgin - nationality: England, UK

Compilation album and the Chemical Brothers' first official sort of best of collection. It's fine if you don't have anything by the band, or if you only happen to have one or two albums, but it somehow seems like a superfluous collection of songs. Also, the diversity of the tracks make it a strange release to listen to, although, the single tracks are great as singles.

The Chemical Brothers "Come Wih Us" (2002)

Come With Us
release date: Jan. 28, 2002
format: cd
[album rate: 3 / 5] [2,76]
producer: The Chemical Brothers
label: Freestyle Dust / Virgin - nationality: England, UK

Track highlights: 3. "Galaxy Bounce" - 4. "Star Guitar" (4 / 5)

4th studio album by The Chemical Brothers. The album is not as great as the first three but how could they continue on that level? This album still contains a few great tracks, especially the more big beat styled "Star Guitar" but there's simply too much tribal house inspiration that I just don't like and the duo has given much wider room for other artists on the various tracks making it sound like a mixtape or compilation. "Star Guitar" could easily have been included on Surrender (1999) but the title track, "It Began in Afrika", "My Elastic Eye", and "Denmark" are new stylistic changes that I just don't get.
[ allmusic.com, Rolling Stone, PopMatters 4 / 5, Q Magazine 3,5 / 5, Uncut 2,5 / 5 stars ]

BEST OF 1999:The Chemical Brothers "Surrender" (1999)

Surrender
release date: Jun. 21, 1999
format: cd
[album rate: 5 / 5] [4,78]
producer: The Chemical Brothers
label: Freestyle Dust / Virgin - nationality: England, UK

Track highlights: 1. "Music: Response" (4,5 / 5) - 2. "Under the Influence" (4,5 / 5) - 3. "Out of Control" (feat. Bernard Sumner) (4,5 / 5) - 5. "Let Forever Be" (5 / 5) - 6. "The Sunshine Underground" (5 / 5) - 9. "Hey Boy Hey Girl" - 10. "Surrender" - 11. "Dream On" (5 / 5 )

3rd full-length album by The Chemical Brothers released on Freestyle and produced by the duo. Again, they have put together a strong big beat album, and this time they experiment within the genre of big beat to produce longer and more progressive or neo-psychedelic tracks. In fact, I think it takes off where Dig Your Own Hole (1997) ends with its two great end-tracks.
The track "The Sunshine Underground" is a marvellous piece - I simply can't get tired of that one, just like I can't help turning up the volume whenever I hear it. This is an absolute wonderful and 'must-have' album. Together with Further, I think this is where they touch the sky.
Highly recommendable.
[ allmusic.com 3 / 5, Rolling Stone, Q Magazine, NME 4 / 5, The Guardian 5 / 5 stars ]

1999 Favourite releases: 1. The Chemical Brothers Surrender - 2. Underworld Beaucoup Fish - 3. Everything but the Girl Temperamental