Showing posts with label Peaches. Show all posts
Showing posts with label Peaches. Show all posts

15 August 2014

Peaches "Fatherfucker" (2003)

Fatherfucker
release date: Sep. 15, 2003
format: digital
[album rate: 3 / 5] [3,18]
producer: Peaches
label: XL Recordings - nationality: Canada

Track highlights: 1. "I Don't Give A ..." - 2. "I'm the Kinda" - 4. "Kick It" (feat. Iggy Pop) - 5. "Operate" - 7. "Shake Yer Dix" (feat. Mignon) (live)

2nd studio album by Peaches, again produced by herself, is bettering her 2000 album The Teaches of Peaches by being better produced and having better and more original material. Also, I like the stronger electroclash and dance-punk style on this.
[ allmusic.com 3,5 / 5, Rolling Stone 3 / 5 stars - Album of the Year 74/100 % ]

alternate cover >

02 March 2014

Peaches "The Teaches of Peaches" (2000)

The Teaches of Peaches [debut]
release date: Sep. 8, 2000
format: digital
[album rate: 2,5 / 5] [2,68]
producer: Peaches
label: Kitty-Yo / XL Recordings - nationality: Canada

Track highlights: 1. "Fuck the Pain Away" - 2. "AA XXX" - 4. "Set It Off" - 5. "Cum Undun" - 8. "Lovertits" - 10. "Sucker"

Studio album debut by Peaches [aka Merrill Beth Nisker] but her second studio album, as she released Fancypants Hoodlum in 1995 as Merrill Nisker. I haven't come by her actual debut, which I have seen enlisted in the genre of post-punk, and this is far from that. Peaches is a Canadian performance artist mainly associated with electronic genres as electroclash, electro-disco with elements of glam rock. I also find an evident use of industrial in her first two albums as Peaches. She currently lives in Berlin, and knowing that it may seem easier to associate her with Nina Hagen. Like the German "art punker", Peaches make use of shock and provocation as means in her musical shape, and she also refers to and speak much about sex - both as subject, as well as part of her language. This is not bad. it really has great beats and tracks but some of the songs seem like fillers. Anyway, the overall rating may not do justice to the originality of this.
[ allmusic.com 4,5 / 5, Rolling Stone 3,5 / 5 stars ]