American Dream
release date: Sep. 1, 2017
format: cd
[album rate: 4 / 5] [3,84]
producer: James Murphy
label: DFA / Columbia - nationality: USA
Track highlights: 1. "Oh Baby" (live) - 2. "Other Voices" - 3. "I Used To" - 4. "Change Yr Mind" - 6. "Tonite" - 7. "Call the Police" - 9. "Emotional Haircut"
4th studio album by LCD Soundsystem who had re-united in 2016 is like the third album basically a James Murphy project-album featuring old associates. Looking at the credit list for the album, Murphy plays almost all instruments, though Al Doyle also contribute on several tracks, but official band members Pat Mahoney, Nancy Whang, Tyler Pope, Gavin Rayna Russom, Matt Thornley and Korey Richey nearly only appear on one or two tracks.
Stylistically, LCD Soundsystem still plays on some of the same sources - with some tracks being more electronic, some in the rock genre of alt. dance and dance-punk, and then there are more bold elements of synthpop scattered all over the album, which together with the electronic bits makes it a rather fresh and energetic collection of songs that makes me think of Underworld - only with more power.
In my mind, this is not only the best studio album and a nice surprise by LCD Soundsystem, it's also one of the best albums of 2017.
[ allmusic.com, Mojo, Q Magazine, Rolling Stone 4 / 5, Daily Telegraph, NME, The Guardian 5 / 5 stars ]
[ just music from an amateur... music archaeologist ]
"Dagen er reddet & kysten er klar - Jeg er den der er skredet så skaf en vikar!"
Showing posts with label LCD Soundsystem. Show all posts
Showing posts with label LCD Soundsystem. Show all posts
01 September 2018
08 November 2017
LCD Soundsystem "London Sessions" (2010) (live)
London Sessions (live)
release date: Nov. 8, 2010
format: cd (2011)
[album rate: 3,5 / 5] [3,64]
producer: James Murphy; DFA
label: DFA Records - nationality: USA
Track highlights: 1. "Us v Them" - 2. "All I Want" - 4. "Get Innocuous!" - 5. "Daft Punk Is Playing at My House" - 6. "All My Friends" - 8. "I Can Change" - 9. "Yr City Is a Sucker"
[ full album ]
Live-in-the-studio album of recordings at The Pool recording studio of Miloco Studios in London, England, Tuesday Jun. 29, 2010. The album was released as a downloadable album only Nov. 8, 2010 and on cd Jan. 24, 2011. On this occasion the band consists of James Murphy on vocals and percussion, Nancy Whang on keyboards and vocals, Pat Mahoney on drums and vocals, Tyler Pope on bass, percussion and vocals, Gavin Russom on synth, keyboards, percussion and vocals, David Scott Stone on guitar, percussion, synth and vocals and with Matt Thornley on guitar, percussion and vocals.
The collection of songs here are taken from all three previous studio albums, which makes it a good compilation as it comes with two tracks from the debut, three from Sound of Silver and four from This Is Happening. I actually find that the tracks (#2, #3, #7 and #8) from the most recent studio album all sound better in this more vibrant and dance-punk production, and on top of that, they also make the compositions from the various albums feel like one whole.
All in all this is truly one of the band's best albums.
Prior to the album release James Murphy had started rumours about the band's near end, and on Feb. 8, 2011, on the band's website, LCD Soundsystem proclaimed that they would play their last concert in April.
[ allmusic.com 4 / 5 stars ]
release date: Nov. 8, 2010
format: cd (2011)
[album rate: 3,5 / 5] [3,64]
producer: James Murphy; DFA
label: DFA Records - nationality: USA
Track highlights: 1. "Us v Them" - 2. "All I Want" - 4. "Get Innocuous!" - 5. "Daft Punk Is Playing at My House" - 6. "All My Friends" - 8. "I Can Change" - 9. "Yr City Is a Sucker"
[ full album ]
Live-in-the-studio album of recordings at The Pool recording studio of Miloco Studios in London, England, Tuesday Jun. 29, 2010. The album was released as a downloadable album only Nov. 8, 2010 and on cd Jan. 24, 2011. On this occasion the band consists of James Murphy on vocals and percussion, Nancy Whang on keyboards and vocals, Pat Mahoney on drums and vocals, Tyler Pope on bass, percussion and vocals, Gavin Russom on synth, keyboards, percussion and vocals, David Scott Stone on guitar, percussion, synth and vocals and with Matt Thornley on guitar, percussion and vocals.
The collection of songs here are taken from all three previous studio albums, which makes it a good compilation as it comes with two tracks from the debut, three from Sound of Silver and four from This Is Happening. I actually find that the tracks (#2, #3, #7 and #8) from the most recent studio album all sound better in this more vibrant and dance-punk production, and on top of that, they also make the compositions from the various albums feel like one whole.
All in all this is truly one of the band's best albums.
Prior to the album release James Murphy had started rumours about the band's near end, and on Feb. 8, 2011, on the band's website, LCD Soundsystem proclaimed that they would play their last concert in April.
[ allmusic.com 4 / 5 stars ]
18 May 2017
LCD Soundsystem "This Is Happening" (2010) (live)
This Is Happening (live)
release date: May 18, 2010
format: cd
[album rate: 3 / 5] [3,24]
producer: The DFA [ aka Tim Goldsworthy & James Murphy]
label: DFA Records - nationality: USA
Track highlights: 1. "Dance Yrself Clean" - 2. "Drunk Girls" - 5. "I Can Change" (live) - 6. "You Wanted a Hit" (live)
3rd studio album by LCD Soundsystem follows a well-known formula with Goldsworthy and Murphy of the band in the producer seat and with Murphy both as the most extensively credited members as well composer of most tracks. According to the credit list the band has been reduced to a quintet, but in essence it's more obvious that it has become a one-man project band as the other four members are reduced to appearances on one track [!]. Pat Mahoney, Nancy Whang and Tyler Pope are credited for drums, vocals and bass on track #7, whereas Philip Mossman simply isn't credited for any contributions. Eric Broucek and Mandy Coon seem out of the [project] band and also co-founding member and co-producer Tim Goldsworthy is only credited for his producer part. So in essence, LCD Soundsystem is James Murphy.
The style is very close to that of the predecessor, and that's both good and bad as all the influences the band play on are so wide-ranged that it's hard to just copy but that's nevertheless what comes out as: a close to a copy of Sound of Silver. The album is a mix of tracks that play on either rock- and dance punk-influences, indietronica and old-school synth pop and what could be labelled new wave.
The album was met by positive reviews and became the band's so far best selling album reaching number #10 in the US (number #1 on the Top Dance / Electronic Albums list), number #7 in the UK and #11 in Australia.
It's really not bad at all, but I don't think that it adds much new to the repertoire, and what seems "worse" is the absence of strong hit-songs. It sounds to me as an attempt to make another album they've already produced. "Dance Yrself Clean" and "I Can Change" are clearly the album's best tracks. "Drunk Girls" is a fine up-tempo track but sounds much like an Undertones replica, "All I Want" sounds too close to an indietronica version of Bowie's " 'Heroes' ", "You Wanted a Hit" starts off like a Sakamoto rip-off (but then luckily winds up on its own), and the remaining tracks sort of vanish in anonymity, imho, which ultimately makes it a bit of a bland experience.
Shortly after the album release James Murphy apparently had announced that it would probably be the last album by LCD Soundsystem, although, he later that year is said to have suggested that the band may continue as a project-band - but without being a big thing.
[ allmusic.com, The Guardian, NME, Spin, Rolling Stone 4 / 5,
release date: May 18, 2010
format: cd
[album rate: 3 / 5] [3,24]
producer: The DFA [ aka Tim Goldsworthy & James Murphy]
label: DFA Records - nationality: USA
Track highlights: 1. "Dance Yrself Clean" - 2. "Drunk Girls" - 5. "I Can Change" (live) - 6. "You Wanted a Hit" (live)
3rd studio album by LCD Soundsystem follows a well-known formula with Goldsworthy and Murphy of the band in the producer seat and with Murphy both as the most extensively credited members as well composer of most tracks. According to the credit list the band has been reduced to a quintet, but in essence it's more obvious that it has become a one-man project band as the other four members are reduced to appearances on one track [!]. Pat Mahoney, Nancy Whang and Tyler Pope are credited for drums, vocals and bass on track #7, whereas Philip Mossman simply isn't credited for any contributions. Eric Broucek and Mandy Coon seem out of the [project] band and also co-founding member and co-producer Tim Goldsworthy is only credited for his producer part. So in essence, LCD Soundsystem is James Murphy.
The style is very close to that of the predecessor, and that's both good and bad as all the influences the band play on are so wide-ranged that it's hard to just copy but that's nevertheless what comes out as: a close to a copy of Sound of Silver. The album is a mix of tracks that play on either rock- and dance punk-influences, indietronica and old-school synth pop and what could be labelled new wave.
The album was met by positive reviews and became the band's so far best selling album reaching number #10 in the US (number #1 on the Top Dance / Electronic Albums list), number #7 in the UK and #11 in Australia.
It's really not bad at all, but I don't think that it adds much new to the repertoire, and what seems "worse" is the absence of strong hit-songs. It sounds to me as an attempt to make another album they've already produced. "Dance Yrself Clean" and "I Can Change" are clearly the album's best tracks. "Drunk Girls" is a fine up-tempo track but sounds much like an Undertones replica, "All I Want" sounds too close to an indietronica version of Bowie's " 'Heroes' ", "You Wanted a Hit" starts off like a Sakamoto rip-off (but then luckily winds up on its own), and the remaining tracks sort of vanish in anonymity, imho, which ultimately makes it a bit of a bland experience.
Shortly after the album release James Murphy apparently had announced that it would probably be the last album by LCD Soundsystem, although, he later that year is said to have suggested that the band may continue as a project-band - but without being a big thing.
[ allmusic.com, The Guardian, NME, Spin, Rolling Stone 4 / 5,
29 March 2017
LCD Soundsystem "Sound of Silver" (2007)
Sound of Silver
release date: Mar. 12, 2007
format: cd
[album rate: 3,5 / 5] [3,62]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA Records Japan - nationality:
Track highlights: 1. "Get Innocuous!" - 2. "Time to Get Away" - 3. "North American Scum" - 4. "Someone Great" (5 / 5) - 6. "Us V Them"
2nd full studio album by LCD Soundsystem in a Japanese edition including 3 bonus tracks.
It's really not that different from the debut album as they still make use of various influences - on the first three tracks one will hear funk and alt. dance / dance-punk pointing to a more standard rock-outing, but with the track "Someone Great" the album takes a turn towards indietronics and synth pop, which is nicely continued on "All My Friends" before returning to a funky rhythmic conglomerate of all their styles blending funk, electro-disco, synth pop and dance-punk in just one song: "Us V Them". The standard album closer "New York, I Love You But You're Bringing Me Down" is another "weird"-styled track building on a singer / songwriter tradition that makes me think of Lou Reed.
The Japanese edition of the album continues with two (much alike) remixes of the album track "North American Scum" and "Hippie Priest Bum-Out" - all of which are danceable tunes without being really memorable.
The huge blend is really not bad at all - it's highly original, though you may need to reserve time to digest this fusion of styles. It strikes me that the band re-use bits and pieces one will find in the late 1970s varying from the disco sound to more new wave- and art pop-oriented artists - from American artists like Donna Summer, Blondie, Talking Heads, Devo and The B-52's to British David Bowie, Altered Images, Human League and Gang Of Four.
Sound of Silver was met by positive reviews and nominated a Grammy Award for Best Electronic / Dance album of the year [handed to We Are the Night by The Chemical Brothers], and it's included in "1001 Album You Must Hear Before You Die".
I really enjoy this album, although, I don't find it all that homogeneous, and "Someone Great" is a marvellous track.
[ allmusic.com, Spin 4,5 / 5, NME, Q, Rolling Stone 4 / 5 stars ]
release date: Mar. 12, 2007
format: cd
[album rate: 3,5 / 5] [3,62]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA Records Japan - nationality:
Track highlights: 1. "Get Innocuous!" - 2. "Time to Get Away" - 3. "North American Scum" - 4. "Someone Great" (5 / 5) - 6. "Us V Them"
2nd full studio album by LCD Soundsystem in a Japanese edition including 3 bonus tracks.
It's really not that different from the debut album as they still make use of various influences - on the first three tracks one will hear funk and alt. dance / dance-punk pointing to a more standard rock-outing, but with the track "Someone Great" the album takes a turn towards indietronics and synth pop, which is nicely continued on "All My Friends" before returning to a funky rhythmic conglomerate of all their styles blending funk, electro-disco, synth pop and dance-punk in just one song: "Us V Them". The standard album closer "New York, I Love You But You're Bringing Me Down" is another "weird"-styled track building on a singer / songwriter tradition that makes me think of Lou Reed.
The Japanese edition of the album continues with two (much alike) remixes of the album track "North American Scum" and "Hippie Priest Bum-Out" - all of which are danceable tunes without being really memorable.
The huge blend is really not bad at all - it's highly original, though you may need to reserve time to digest this fusion of styles. It strikes me that the band re-use bits and pieces one will find in the late 1970s varying from the disco sound to more new wave- and art pop-oriented artists - from American artists like Donna Summer, Blondie, Talking Heads, Devo and The B-52's to British David Bowie, Altered Images, Human League and Gang Of Four.
Sound of Silver was met by positive reviews and nominated a Grammy Award for Best Electronic / Dance album of the year [handed to We Are the Night by The Chemical Brothers], and it's included in "1001 Album You Must Hear Before You Die".
I really enjoy this album, although, I don't find it all that homogeneous, and "Someone Great" is a marvellous track.
[ allmusic.com, Spin 4,5 / 5, NME, Q, Rolling Stone 4 / 5 stars ]
13 March 2017
LCD Soundsystem "Introns" (2006)
Introns
release date: Mar. 13, 2006
format: digital (10 x File, MP3)
[album rate: 3,5 / 5] [3,32]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA - nationality: USA
Track highlights: 1. "Yr City's a Sucker" - 2. "Daft Punk Is Playing at My House (Soulwax Shibuya Mix)" - 5. "Slowdive (XFM Session)" - 10. "Too Much Love (Rub 'n' Tug Mix)"
Remix album by LCD Soundsystem released as a digital download album only. The album compiles a number of B-sides and remixes from the band's eponymous debut album and associated singles. Apparently, the front cover shows [band leader] James Murphy's (vinyl) record collection. Three of the tracks are from a session recorded for the London radio station XFM. The session version of "Slowdive", a Siouxsie and the Banshees cover, was originally on the "Disco Infiltrator" single. The album consists of 10 tracks with an extensive playing time above the hour.
It's quite fine collection of dance-oriented tracks, also because some of the remix tracks are quite original - without being truly groundbreaking, but it may be seen as a kind of a positive gesture from this creative band. Both "Disco infiltrator" and "Tribulations" comes in quite different remix versions, and "Slowdive" is a rather original cover that falls completely within this band's sound.
release date: Mar. 13, 2006
format: digital (10 x File, MP3)
[album rate: 3,5 / 5] [3,32]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA - nationality: USA
Track highlights: 1. "Yr City's a Sucker" - 2. "Daft Punk Is Playing at My House (Soulwax Shibuya Mix)" - 5. "Slowdive (XFM Session)" - 10. "Too Much Love (Rub 'n' Tug Mix)"
Remix album by LCD Soundsystem released as a digital download album only. The album compiles a number of B-sides and remixes from the band's eponymous debut album and associated singles. Apparently, the front cover shows [band leader] James Murphy's (vinyl) record collection. Three of the tracks are from a session recorded for the London radio station XFM. The session version of "Slowdive", a Siouxsie and the Banshees cover, was originally on the "Disco Infiltrator" single. The album consists of 10 tracks with an extensive playing time above the hour.
It's quite fine collection of dance-oriented tracks, also because some of the remix tracks are quite original - without being truly groundbreaking, but it may be seen as a kind of a positive gesture from this creative band. Both "Disco infiltrator" and "Tribulations" comes in quite different remix versions, and "Slowdive" is a rather original cover that falls completely within this band's sound.
19 January 2017
LCD Soundsystem "LCD Soundsystem" (2005)
LCD Soundsystem [debut]
release date: Jan. 24, 2005
format: cd (2 cd)
[album rate: 3,5 / 5] [3,54]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA, Columbia - nationality: USA
Track highlights: Disc 1: 1. "Daft Punk Is Playing at My House" (4 / 5) (live on Letterman) - 2. "Too Much Love" - 3. "Tribulations" - 6. "On Repeat" - 7. "Thrills" - 8. "Disco Infiltrator" - - Disc 2: 1. "Losing My Edge" - 7. "Yr City's a Sucker (Full Version)"
Full-length studio album debut by LCD Soundsystem after having released a number of singles and the self-titled ep LCD Soundsystem in 2004 where one will find all 4 tracks on this album (tracks #1, #3, #6 & #8). The album was released both as a 2-disc album as well as an ordinary 1-disc album with the tracks #1-9 on DFA Records - founded by British musician and producer Tim Goldsworthy with American dj and musician James Murphy together with manager Jonathan Galkin. Together the two are producer-unit The DFA ('Death From Above').
LCD Soundsystem is a mere musical collective consisting of 7 individuals with songwriter James Murphy at its centre. As it simply states on the back cover info of the album: "most sounds": James Murphy [and] "other sounds": Tim Goldsworthy, Eric Broucek, Tyler Pope, Nancy Whang, Patrick Mahoney, Mandy Coon [the remainders].
Musically, it's clearly built on electronic but there's bold use of classic rock instruments like ordinary electric guitar, bass, keyboard and drums, or: it really depends on the individual tracks. "Movement" and "Never as Tired as When I'm Waking Up" are indie rock, alt. rock tracks, but the majority of the tracks are more indietronica-founded with various elements from synthpop and alt. dance, and there are clear funk-elements on most tracks. At times I find that the music by LCD Soundsystem sounds much like a combo of Talking Heads and B-52's in updated versions, at other times more like Devo, Depeche Mode or Gang of Four with the addition of funky and / or electronic bits, and then it also strikes me to build on (primarily) British electronic music exemplified by The Chemical Brothers and Underworld, but nevertheless, in an original blend.
It's a quite dance-oriented album and it harvested broad critical acclaim as well as a number of nominations including the 2006 Grammy Award for Best Electronic / Dance Album.
[ allmusic.com 4,5 / 5, Q, Rolling Stone, NME 4 / 5, Blender, Uncut 5 / 5 stars ]
release date: Jan. 24, 2005
format: cd (2 cd)
[album rate: 3,5 / 5] [3,54]
producer: The DFA [Tim Goldsworthy & James Murphy]
label: DFA, Columbia - nationality: USA
Track highlights: Disc 1: 1. "Daft Punk Is Playing at My House" (4 / 5) (live on Letterman) - 2. "Too Much Love" - 3. "Tribulations" - 6. "On Repeat" - 7. "Thrills" - 8. "Disco Infiltrator" - - Disc 2: 1. "Losing My Edge" - 7. "Yr City's a Sucker (Full Version)"
Full-length studio album debut by LCD Soundsystem after having released a number of singles and the self-titled ep LCD Soundsystem in 2004 where one will find all 4 tracks on this album (tracks #1, #3, #6 & #8). The album was released both as a 2-disc album as well as an ordinary 1-disc album with the tracks #1-9 on DFA Records - founded by British musician and producer Tim Goldsworthy with American dj and musician James Murphy together with manager Jonathan Galkin. Together the two are producer-unit The DFA ('Death From Above').
LCD Soundsystem is a mere musical collective consisting of 7 individuals with songwriter James Murphy at its centre. As it simply states on the back cover info of the album: "most sounds": James Murphy [and] "other sounds": Tim Goldsworthy, Eric Broucek, Tyler Pope, Nancy Whang, Patrick Mahoney, Mandy Coon [the remainders].
Musically, it's clearly built on electronic but there's bold use of classic rock instruments like ordinary electric guitar, bass, keyboard and drums, or: it really depends on the individual tracks. "Movement" and "Never as Tired as When I'm Waking Up" are indie rock, alt. rock tracks, but the majority of the tracks are more indietronica-founded with various elements from synthpop and alt. dance, and there are clear funk-elements on most tracks. At times I find that the music by LCD Soundsystem sounds much like a combo of Talking Heads and B-52's in updated versions, at other times more like Devo, Depeche Mode or Gang of Four with the addition of funky and / or electronic bits, and then it also strikes me to build on (primarily) British electronic music exemplified by The Chemical Brothers and Underworld, but nevertheless, in an original blend.
It's a quite dance-oriented album and it harvested broad critical acclaim as well as a number of nominations including the 2006 Grammy Award for Best Electronic / Dance Album.
[ allmusic.com 4,5 / 5, Q, Rolling Stone, NME 4 / 5, Blender, Uncut 5 / 5 stars ]
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