Chet Baker "Chet Baker Sings" (1954)

Chet Baker Sings
release date: Apr. / May 1954
format: vinyl (2018 reissue, yellow vinyl) / digital
[album rate: 4 / 5] [3,94]
producer: Richard Bock
label: WaxTime In Color

A very young (23 years old) Chet sings vocal jazz and standards of the time. He is often mentioned as the jazz world's first pop star, or at least a kind of role model celebrity. Photos of him from the 1950s show how he was promoted almost in the same manner as Sinatra, and later stars like James Dean and Cliff Richard - a pop star with a message to all teenagers.

The album came out at the time when Elvis and Sinatra were top of the pop, and Chet was launched accordingly to that tradition, although his music was very different. His singing voice isn't all that fantastic but it has its very own beauty. The album is the first where Baker sings, as he had previously been promoted exclusively as an instrumentalist. The original issue of the album was released by Pacific Jazz in 10'' and 2 x 7'' formats only and contained eight tracks. In 1956 the label reissued the album for 12'' format with 14 tracks - the same songs appear on the 2018 remaster on WaxTime In Color. The original album contained the following songs: "But Not for Me", "Time After Time", "My Funny Valentine", "I Fall in Love Too Easily", "There Will Never Be Another You", "I Get Along Without You Very Well", "The Thrill Is Gone", "Look for the Silver Lining".

The album originally came out to luke-warm reviews, and some critics found Baker's vocal unsuited for commercial releases, to put it mildly 'cause he was also publicly mocked; however, the album was a commercial success and led in 1956 led to the expanded version and earlier it was followed by Chet Baker Sings and Plays (1955).

Highly recommended.

[ allmusic.com 4,5 / 5, The Penguin Guide to Jazz Recordings 3,5 / 4 stars ]

1954 original issue
on Pacific Jazz

Chet Baker "My Funny Valentine [Essential Jazz Masters]" (2006)

My Funny Valentine [Essential Jazz Masters] (compilation)

release date: 2006

format: digital

[album rate: 3 / 5]

Compilation album by Chet Baker, which seems like a reissue but is filed as a 2006 album release, however, all tracks must have been recorded in the 1950s and/or 1960s, which is quite evident from the mono recordings. It features live sessions, hard bop jazz, as well as his romantic cool jazz ballads including one vocal jazz track, which sort of comprises all his styles but also makes it a very uneven compilation of songs.

Chet Baker "Embraceable You: Chet Baker Sings and Plays" (1995)

Embraceable You: Chet Baker Sings and Plays (compilation)

Release date: Jun. 19, 1995
format: digital
[album rate: 3,5 / 5]

This is a fine album if one hasn't got Chet in the collection. The songs are of the romantic and more melancholic type that was his biggest strength. His soft and clear voice and trumpet sounds much alike - in agony of love lost or a love never realised. The album contains 13 fine jazz ballads written by Gershwin, Johnny Mercer, Rodgers & Hart, among others.

BEST OF 1988:Chet Baker "Memories: Chet Baker in Tokyo" (1988) (live)

'My' lp version

Memories: Chet Baker in Tokyo (live)
Release date: 1988
format: vinyl (K28P 6491) / digital
[album rate: 5 / 5] [4,80]
producer: Shigeyuki Kawashima
label: Paddle Wheel - nationality: USA

*Tracklist: 1. "Stella by Starlight" - 2. "For Minors Only" - 3. "Almost Blue" [Elvis Costello cover] - 4. "Portrait in Black and White" - 5. "My Funny Valentine"
*[original vinyl version]

alternate cover

This album is sooo cool and... absolutely wonderful.
I always found that tiny bit more pleasure from Chet than Miles Davis - no bad feelings about Miles but I think it has to do with some inner feel and slow sincerity that is ever present in Chet's sound. And also, he's not a bad singer. He's not a great vocalist in terms of ability to articulate and produce clean clear notes but there's something extremely authentic and fragile in his voice that you also find in his instrumentation. The only real down side to this album is the short playing time, of course having it on cd as well, the repeat function really comes handy.

1988 Favourite releases: 1. Chet Baker Memories: Chet Baker in Tokyo - 2. R.E.M. Green - 3. Talk Talk Spirit of Eden

[ collectors' item ]

Chet Baker Quartet "No Problem" (1979)

No Problem
Release date: Oct. 2, 1979
format: digital
[album rate: 3,5 / 5]

Released as 'The Chet Baker Quartet'. Another album that was recorded and released in Denmark by SteepleChase Records, and it features Chet Baker (trumpet), Duke Jordan (piano), who composed all tracks, Niels-Henning Ørsted Pedersen (bass), Norman Fearrington (drums). The album was produced by Niels Winther. The style is typical for Chet's later career with much focus on cool jazz and vocal jazz.

Chet Baker "The Touch of Your Lips" (1979)

The Touch of Your Lips
release date: Jun. 1979
format: digital
[album rate: 3,5 / 5]

An album recorded and released in Denmark by SteepleChase Records. The album is a beautiful collection of Chet's typical tracklist when performing live, at this point of his career. It's his trademark of cool jazz and vocal jazz, and it features Niels-Henning Ørsted Pedersen on bass.

Chet Baker Quintet "Groovin' " (1966)

Groovin'
Release date: 1966
format: digital
[album rate: 3,5 / 5]

This is released as The Chet Baker Quintet featuring Chet Baker (trumpet), George Coleman (tenor sax), Kirk Lightsey (piano), Herman Wright (bass), Roy Brooks (drums). The album is another mighty fine Chet collection in his heydays, and again a late hard bop jazz album.

Chet Baker "Chet Is Back!" (1962)

Chet Is Back!
release date: Jan. 1962
format: digital
[album rate: 4 / 5]

Studio album by Chet Baker. It's one of his most well-renowned albums, and I think it's more than good, only, it's not the style that first comes to my mind when I'm thinking of Chet Baker. This is great jazz bop, which is a style much more in a field of John Coltrane, Charlie Parker, Miles Davis, Stan Getz, and Charlie Mingus. Here, Chet shows how he's more than capable of that style as well. And well, I guess all great jazz artists just had to play music according to that style at some point from the mid 50s to mid 60s. It also contains one or two tracks in his real trademark: cool jazz but no vocal jazz or that fine combo of easy listening and standards that I love when played by Chet. The album's title refers to the fact that Chet had spent almost a year and a half in prison in Italy because of possession of drugs.

Chet Baker

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Chet Baker (birth name: Chesney Henry Baker; Dec. 23, 1929 - May 13, 1988), was born in Yale, Oklahoma, USA, and died in Amsterdam, The Netherlands some 58 years later. He's one of my absolute favorite jazz artists alongside Ella Fitzgerald, Etta James, Billie Holiday, Dexter Gordon, and Stan Getz. He had a highly original style, which was expressed in his brilliant soft and fragile singing voice and the tender melancholic beauty of his horn. Chet lived a hard life with alcohol and drug addiction which considerably shortened his life. He is a one the biggest jazz artists of the 1950s and 1960s, and is perhaps mostly known for his restrained playing style and influence on the foundation of cool jazz, as well as his fragile singing voice. In the 50s and 60s he was a male icon due to his photogenic looks. His trumpet career was boosted when he played with The Gerry Mulligan Quartet feat. Gerry Mulligan (baritone sax), Chet Baker (trumpet), Larry Bunker (drums), Carson Smith (bass). In the mid-50s he was promoted alongside Frank Sinatra and also had a film role in 1955 but refused to go further in an acting career. He spent many years travelling and playing in Europe in the '60s. In 1966 he was brutally beaten up in a drug related incident in San Francisco, and from the early 1970s he mostly played and lived in Europe. He ended his life after a fall from a window in Amsterdam - presumably as a result from taking both heroin and cocaine.

Chet Baker at the end of his career, and as a young photogenic star

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