release date: May 2, 1980
format: cd (2001 remaster)
[album rate: 4 / 5] [3,84]
producer: Martin Hannett
label: Virgin / Universal Music - nationality: England, UK
Track highlights: 1. "Because You're Frightened" (4 / 5) - 2. "Model Worker" - 3. "I'm a Party" - 4. "You Never Knew Me" - 7. "Thank You (Falettinme Be Mice Elf Agin)" - 8. "Sweetheart Contract" - 10. "A Song From Under the Floorboards" (4,5 / 5)
3rd studio album by Manchester quintet Magazine originally released by Virgin is the band's only album to be produced by Martin Hannett, and it's the last to feature guitarist John McGeoch, who would leave the band after this. Fact is, two other acts had sought his expertise - together with both bassist Barry Adamson and keyboardist Dave Formula, McGeoch also took part in the early formation of Visage, and he already was engaged with Siouxsie and the Banshees for the recordings on the album Kaleidoscope earlier in 1980, and from the Summer of '80 he became a stable member of the more guitar-fuelled The Banshees while continuing as full-time member of Visage, and you may say that Magazine ended up losing a key member.
Without being the most obvious post-punk band, Magazine has been recognised as one of the most original and defining acts of the post-punk era. On The Correct Use of Soap the band consists of lead vocalist Howard Devoto (formerly punk rock band The Buzzcocks), guitarist John McGeoch, bassist Barry Adamson (former stand-in with The Buzzcocks), keyboardist Dave Formula (aka David Tomlinson), and drummer John Doyle. The band's style is a blend of genres and styles where post-punk is the easiest label when no other really suffice. They are known for a highly original rhythm section with avantgardist bass and drum-lines, and both bassist Adamson, keyboardist Formula and guitarist McGeoch have all gained artistic acclaim for their contributions, and on top of this vocalist Devoto surely has his own distinct sound. There's hardly any links to the punk rock era here but somehow this band works in its own dimension of art rock, new wave and avant-garde building on elements from soul, synthpop and... who-knows-what?!
The album peaked at number #25 on the UK albums chart list but both band and album were met by critical acclaim without reaching top popularity.
From a contemporary perspective this very album hasn't aged as much as most other releases from the 1980s, and Adamson, Formula and McGeoch have all rightfully been hailed among the most influential British musicians of modern ages.
[ allmusic.com 4,5 / 5, 👍Uncut 4 / 5 stars ]
