18 April 2013

Beto Guedes "A Página do Relâmpago Elétrico" (1977)

A Página do Relâmpago Elétrico [debut]
release date: 1977
format: cd (2002 reissue)
[album rate: 3,5 / 5] [3,65]
producer: Ronaldo Bastos
label: EMI - nationality: Brazil

Tracklist: 1. "A Página do Relâmpago Elétrico" - 2. "Maria Solidária" (4 / 5) (live) - 3. "Choveu" - 4. "Chapéu de Sol" - 5. "Tanto" - 6. "Lumiar" - 7. "Bandolim" - 8. "Nascente" - 9. "Salve Rainha" - 10. "Belo Horizonte"

Música Popular Brasileira
I don't know much about Beto Guedes. I just love his music and I find it strange how completely unknown he is in the Northern hemisphere...
I stumbled on his music as I was looking for the origin of a beloved song by Milton Nascimento, or so I thought. The song is "Amor de Índio" which appears on A Barca dos Amantes (1986), a fabulous live album by Milton, who is an iconic singer/songwriter of MPB, latin vocal jazz, folk... and contemporary latin, pop folk... or: modern world music. I just love Milton's crispy soulful Brazilian vocal shape of sound... Then I found that this giant song was written by Beto Guedes and composed with Ronaldo Bastos, and I had my difficulties in finding any music at all with the man himself, except on youtube. Guedes took part in the formation with Fernando Brant of the Nascimento and Lô Borges-led music collective "Clube da Esquina" in which Guedes at times sang lead vocal and played guitar before starting an enduring career as solo artist.
Beto has a totally different sound. At first one might think it could be a woman's voice. That's not all of course, Beto has a wonderful lightness that makes it almost ethereal. Also, Beto's MPB seems more inspired by western folk rock standards making his output more in family with Gilberto Gil and Caetano Veloso, in my opinion, however, they are nothing as godlike as Beto.
The album contains compositions, which individually point in various directions, several songs are MPB-styled Brazilian folk, but others are shaped as progressive folk, e.g. "Choveu", "Chapéau de Sol", "Tanto" and "Nascente" - others have stronger beat-structure, but the album's strength is that it doesn't sound too incoherent nor like replicating other artists - it's very much an original sound altogether, and naturally much recommended.