The Friends of Rachel Worth
release date: Sep. 16, 2000
format: cd
[album rate: 3,5 / 5]
[3,48]
producer: The Go-Betweens
label: Clearspot / EFA - nationality: Australia
7th studio album by The Go-Betweens released twelve years after
16 Lovers Lane (Aug. 1988) is the band's first since its recent reformation. Robert Forster and Grant McLennan had stayed friends and never lost touch in the years following the band's break-up in '89, although they were now busy pursuing individual solo careers. Forster released four solo albums - most recently
Warm Nights from 1996 - and he produced a few releases for wife Karin BĂ€umler's band Baby You Know, whereas McLennan seems to have been more productive by also releasing four solo albums - most recently
In Your Bright Ray from 1997 - one of these is a double album, and then he also released two albums with the band
Jack Frost, as well as a single with the band Far Out Corporation. In the run-up to the reformation of The Go-Betweens, the two songwriters played a number of live gigs together assisted by bassist Adele Pickvance, either announced as Forster / McLennan or occasionally as The Go-Betweens, performing songs from their respective solo releases as well as songs from their time with The Go-Betweens. In Forster's autobiography "Grant & I" he recalls how the French music magazine 'Les Inrockuptibles' got in contact with Forster because they wanted to bring a longer article on the band's story and simulaneously they hired a version of the reformed band to perform as The Go-Betweens in Paris. The concert was quite successful and other European concerts soon followed. One night after a performance in '96, Grant aired the idea that they really should reform the band, an idea Forster didn't immediately reject, but it didn't materialise on that occasion as they had too many things going on. Forster had just released
Warm Nights, which he intended to promote, and he and Karin were also expecting their first child, and then the near-always prolific McLennan was working on what would turn out to be his final solo album, the fine
In Your Bright Ray (Sep. '97). Concurrently, he had also formed the band Far Out Corporation together with guitarist Ian Haug (of Powderfinger), Adele Pickvance, and drummer Ross McLennan (no relation to Grant), who had sometimes replaced Glenn Thompson when playing live with Forster, and together they released the album
FOC (Oct. '98). So clearly, thoughts about new music from The Go-Betweens were still well and truly stoved away. As of May '99, Beggars Banquet released the album
Bellavista Terrace: Best of The Go-Betweens - and the company wanted the band's aid to promote the album, and a new live tour was soon set up. The concerts were again powerful experiences and yet again McLennan had asked Forster whether it was time to reform the band and perhaps focus their joint songwriting on producing a new album. Forster first had to return home to ask his family in Germany how they felt about him doing a new shot at the old band, and with Karin's approval, Forster then moved with his family to Australia to make sure Forster and McLennan could work closely together on new music, just as they had found working was best years before - getting together with a handful of new drafts and then in a mutual process making a first rough sorting and testing out arrangements before the tracks were presented to the rest of the band.
For this album, the new quintet of The Go-Betweens consists of the two founding members, vocalist and guitarists Forster and McLennan, together with bassist and backing vocalist Adele Pickvance, who, in addition to having assisted McLennan on his solo tours, also was part of the band Far Out Corporation. Pickvance was to prove to be the only other and third stable member in the band's new short life cycle. Much like years before, all tracks are credited the Forster / McLennan unit, with one half of the songwriting credited Forster and the other half to McLennan, while all songs feature both as composers. The album is the band's first to be recorded in the US (Portland, Oregon), and to support the band they are assisted of the trio Sleater-Kinney, consisting of Carrie Brownstein, Corin Tucker, and Janet Weiss (drummer in three bands: Sleater-Kinney, Quasi, and The Go-Betweens). Officially, Brownstein and Tucker are only credited on track #9 for additional guitar and vocals, but apparently they contribute (uncredited) harmony vocals on several tracks. However, the album is the one and only with a line-up featuring Weiss and (husband) Sam Coomes, who both form the core of Sleater-Kinney.
The front cover only depicts McLennan and Forster (the back is text only), and the two reappear with Pickvance and Weiss (but without Coomes) on the inside of the digipak edition.
Compared to their solo releases over the past decade, the album doesn't offer strikingly new, and the closest is actually the style of McLennan and Forster's solo works, where they have both cultivated singer / songwriter and folk rock since the break-up in '89. It's very much like two troubadours doing their usual stuff - together, but separately. Neither the composition contribute much to the sound of the new Go-Betweens, and it's really only the familiar vocals of the two frontmen that connect the album with previous releases by The Go-Betweens.
As was the case before the disbandment, the album was met by positive reviews, and also by a lack of commercial success. All in all, The Friends of Rachel Worth isn't one of the band's most memorable albums, but as with their other six albums - perhaps with the exception of the stumbling debut - the songs have a distinct rock poetic signature. The lyrics offer fine lines and personal stories, 'cause as modern storytellers, the songwriting duo Forster / McLennan are in a league where you easily think of other names such as Patti Smith, Lou Reed, Tom Verlaine, David Bowie, etc., which in itself is exceptional company.
[ đ
allmusic.com,
Rolling Stone 3,5 / 5, The Guardian, Melody Maker, NME, Spin 4 / 5, đUncut 4,5 / 5 stars ]
