On Every Street
release date: Sep. 2, 1991
format: digital
[album rate: 2,5 / 5] [2,72]
producer: Mark Knopfler, Alan Clark
label: Vertigo Records - nationality: England, UK
Track highlights: 1. "Calling Elvis" - 4. "Fade to Black"
6th and final studio album by Dire Straits released more than 6 years after Brothers in Arms (May 1985).
The album doesn't reveal new stylistic influences, and it seems the band has come to a halt in more than one sense. Yes, the album faired more than well - it was after all released after a highly successful album and fans had to await new material for quite a while. So, the album of course sold millions of albums world wide, though critics weren't impressed.
I didn't listen to the album in its full length until after the new millennium, and honestly it didn't appeal to me one bit. I had heard the single releases from the album: "Calling Elvis", "Heavy Fuel" and the title track and found all of them more than just plain reproduction. Another three singles from the album were released but little did they do to the overall impression of a band that literally had no more to offer the world. The best fairing single "Calling Elvis" is country rock and blues-shaped and "Heavy Fuel" sounds too much like an attempt to make a follow-up to "Money for Nothing", but without success. Several tracks are like remakes of pieces of familiar compositions from the band's last two albums - long progressive intermissions with Knopfler showcasing his capabilities as the gifted guitar-player he truly is, but all in all, the album sounds like 'everything on repeat'.
The end of the band that many had feared during the long hiatus after the band's fifth album was announced in 1995 after another long brake, and Knopfler finally initiated his solo career which saw him take on more classic styles and genres that may have been impossible as a member of Dire Straits.
Not recommended.
[ allmusic.com 2 / 5, Rolling Stone 3 / 5 stars ]