Bo sundström "Mitt dumma jag - svensk jazz" (2018)

Mitt dumma jag - svensk jazz

release date: Jan. 26, 2018

format: vinyl / cd

[album rate: 4 / 5] [3,78]

producer: Jonas Kullhammar

label: Columbia / Sony Music / Mr RADAR - nationality: Sweden

Second solo album by lead vocalist Bo (Sigvard) Sundström of Swedish band Bo Kaspers Orkester. His solo debut Skåne was released as early as 2005 and that showed an artist trying out pop ballads with various stylistic influences, but this is something entirely different as indicated in the subtitle "svensk jazz" ['Swedish jazz']. All ten songs are old staples from vocal jazz with new lyrics - mostly by Sundström. The end result is a new take on the world of classic jazz and with lyrics in Swedish combined with Sundström's gift for jazz pop as heard on several albums with his usual band and this turns out as a most welcome album. The subtitle delicately hints as the legendary Swedish jazz album of them all: Jazz på svenska by Jan Johansson, and it's in this light you should listen to Mitt dumma jag. All compositions have been handed Swedish titles - only on the back cover the original titles are added, and it's quality titles like "(I Love You) For Sentimental Reasons", "The Way You Look Tonight", "Once Upon a Summertime",... "My Foolish Heart", the latter translated to "Mitt dumma jag" (track #5). There's also "Waltz for Debby" translated to "Monicas vals" of course in memory of Monica Zetterlund, who made that song an international hit with Bill Evans, and then there's the end-track "Danny's Dream", originally a 1954 Swedish jazz instrumental by Lars Gullin - here with the addition of lyrics written by contemporary Swedish pop diva Lisa Nilsson.

The album is no less than a truly positive surprise. It's not the jazz pop, as some would expect, neither is it pop / rock-styled but instead genuine contemporary vocal jazz in a Swedish tradition that goes hand in hand with jazz greats of former ages.

Recommended.

Blur "The Ballad of Darren" (2023)

The Ballad of Darren

release date: Jul. 21, 2023

format: digital (12 x File, FLAC) (Deluxe)

[album rate: 3,5 / 5] [3,52]

producer: James Ford

label: Parlophone - nationality: England, UK

Track highlights: 3. "Barbaric" - 2. "St. Charles Square" - 4. "Russian Strings" - 6. "The Narcissist" - 7. "Goodbye Alert" - 10. "The Heights"

9th studio album by Blur marks a long-awaited reunion following more than eight years after The Magic Whip (Apr. 2015), which then was another reunion album following 12 years after Think Tank (May 2003). The Ballad... is produced by James Ford, who has made a name for his work with e.g. Arctic Monkeys, Last Shadow Puppets, and in this context: for his work on albums by Gorillaz. The band remains intact and all tracks are credited the band of Damon Albarn, Graham Coxon, Alex James, and Dave Rowntree. Together with Gorillaz, Albarn released Cracker Island (Feb. 2023), and basically, Blur now appears as just another brain-child of Albarn's. Blur is still something else, and markedly different from albums by Gorillaz, but there are apparent similarities with the music by the Albarn-led project The Good, The Bad & The Queen (e.g. "Goodbye Alert" and "Far Away Island"), who most recently - as of Nov. 2018 released Merrie Land.

The album was met by positive reviews - I didn't immediately embrace it as an improvement, and frankly thought of it as on par with the band's 2015 album, but one year down the road, I consider it better than my initial verdict. It's not up there among the best by Blur but it surely has its moments, and Coxon is a most treasured guarantee in delivering classic Blur guitar-riffs, which securely puts it somewhere in the middle on the Blur shelf.

[ 👎allmusic.com 4,5 / 5, The Guardian, Mojo, NME, 👍Pitchfork 7,2 / 10 stars ]

Caroline Polachek "Desire, I Want to Turn Into You" (2023)

Desire, I Want to Turn Into You

release date: Feb. 14, 2023

format: digital (12 x File, FLAC)

[album rate: 2,5 / 5] [2,72]

producer: Caroline Polachek & Danny L Harle

label: Perpetual Novice - nationality: USA

Track highlights: 1. "Welcome to My Island" - 4. "Sunset" - 6. "I Believe"

4th studio album by Caroline (Elizabeth) Polachek and her second album under her given name. After releasing three albums with synthpop band Chairlift from 2008 to 2016, Polachek focussed on her solo career, which she had already initiated while being in the band, and she then released her solo debut Arcadia (Apr. 2014) under the name of Ramona Lisa. Her second solo Drawing the Target Around the Arrow (Jan. 2017) under the name CEP (abbreviation of her name), and preceeding her 2023 album she released Pang in Oct. 2019.

Both albums by Chairlift and her solo releases have generally been met by positive reviews and they also gained public acclaim.

Polachek's newest album is by some regarded as one of the best albums of 2023, but I'm not really a huge fan. Yes, the production is state of the art top-notch, and there's much positive energy in most of her songs - it's just... all heard before, isn't it!? I guess I'm not part of her target fan base and all but still, I simply cannot come to terms with much of the new synthpop and indie pop artists, who spit out new songs that showcase the same arrangements, the same instrumentation, the same song structures, and similar soundscapes! I know Lana Del Rey, Beyoncé, Drake, Taylor Swift, etc. all make different kinds of music, but to me, they nevertheless showcase a common strategy of making music that loans heavily on pre-made music - whether it's music by themselves or others making some of the same 'generic' pop. It leaves me indifferent - at best! But mostly, it only makes me change radio channel or give me an urge to hear something... substantial. Something worthwhile. I don't care how many copies they sell or how many awards they are awarded. I currently don't know anything about Chairlift, or Polachek's earlier albums, and frankly, this album doesn't make me one bit curious about her past. And that's regardless all the good reviews their albums have garnered.

Not recommended.

[ 👎allmusic.com, Clash 4,5 / 5, 🙉PopMatters 5 / 5, Rolling Stone 4 / 5, 👉NME 3 / 5 stars ]