19 July 2020

Lingua Ignota "Caligula" (2019)

Caligula
release date: Jul. 19, 2019
format: digital (11 x File, FLAC)
[album rate: 3 / 5] [3,12]
producer: Kristin Hayter
label: Profound Lore - nationality: USA


3rd studio album by Lingua Ignota follows two years after her self-released international breakthrough All Bitches Die. The album is released on Profound Lore and features Kristin Hayter as songwriter, composer, instrumentalist, singer, photographer, and as producer, just as was the case on her two previous albums.
With this, Hayter refers to the dark time as partner in a long-lasting violent relationship, which she uses here to direct the general focus on. Central to the tracks are motifs such as (violent) revenge in the form of satanic brutal forces. Or perhaps rather: the prince of darkness himself as the righteous (?) avenger of violence against women. The brutality is drawn out through all eleven tracks, which have a total running time of 66 minutes, but in a refined way, where Hayter performs in slow ceremonial lamentation as well as extreme experimental noise-metal - and with throat singing, where her screams take on the form of apocalyptic dimensions.
The album garnered good reviews and ended up on several lists including the year's best albums, and Hayter herself has been highlighted as one of today's most remarkable musicians.
It's difficult to point to outstanding or especially distinguished tracks on Caligula because the compositions offer such unique melodic structures that it makes just as much sense to compare them with parts of classical works. Hayter mixes styles and genres like a painter mixes colors. There is classical or neoclassical music, folk - as in traditional folk music - you'll find metal - as in industrial metal and there is experimental noise metal and more nuanced darkwave. The album is her most complex work to date, which is not only either gentle or brutal. In places it's calm, quiet, soothing and elaborated. And it contains beautiful passages, yet it's mostly black on black. It's music formulated in capital letters BLACK. And, like her two previous albums, it's still quite fascinating. Even for someone who doesn't care much for death metal or related styles like black metal. I don't care about Slipknot, Korn, Metallica, Iron Maiden, etc., but Hayter is as attractive as car headlights to a deer: Scary, fascinating, and something that you deep down just know you should stay far far away from, yet you're gravitated towards it. I'm not a fan, but I can easily sense quality underneath a disturbing surface.
[ Footnote: and yes, Hayter actually has "Caligula" tattooed across her chest ]
Recommended? For a listen or two: Definitely! For multiple full spins: No way!
[ 👎Gaffa.dk 6 / 6, PopMatters 4,5 / 5, Soundvenue 5 / 6, Pitchfork, The Guardian 4 / 5, 👍Blabbermouth 3,5 / 5 stars ]