release date: Oct. 1979
format: vinyl / digital
[album rate: 3,5 / 5] [3,62]
producer: Bill Nelson
label: Virgin Records - nationality: Scotland, UK
Tracklist: 1. "Animation" (4 / 5) (live) - 2. "Charade" (5 / 5) (TOTP '79) - 3. "Dulce et decorum est (pro patria mori)" - 4. "Pros & Cons" - 5. "Home of the Saved" (2 / 5) - 6. "Working for the Yankee Dollar" (4 / 5) - 7. "The Olympian" (3 / 5) - 8. "Thanatos" - 9. "A Day in Europa" - 10. "Peaceful Times" (2 / 5)
[ At the Old Grey Whistle Test '79 ]
2nd studio album by Skids released only eight months following the splendid debut. After drummer Thomas Kellichan left the band just prior to recording the album, Skids were now reduced to a trio. The album contains really great songs (tracks #1, #2, and #6) that all follow the original formula from Scared to Dance but some of the songs seem like mere fillers making this a less coherent album. Both "Charade" and "Working for the Yankee Dollar" were minor hits for the band but then the album also contains "Peaceful Times", a strange track with guitars, drums and bass played backwards [!], which is not as bad as one might expect it to be, but it's basically something entirely different and more of a musical experiment.
Generally, the album wasn't well-received as Richard Jobson was confronted with his historical interest in World War I and II, for his glorification of the Roman Empire (a thing he would bring forth on later albums) and subjects related to Nazi-Germany - e.g. the choice of a front cover that appears to glorify the 1936 Olympics in Berlin. Jobson and the band was subsequently accused for nazi-sympathy - which Jobson has always denied. The label reacted by reissuing the album with a new cover in 1980 (still showcasing the original cover in small format), and with the inclusion of the new single (hit) "Masquerade" in exchange for track #4 and with a slightly changed running order. However, newer reissues from 2001 have once again been issued with the original 'Olympic' cover.
Days in Europa has a better production sound than the debut, and the arrangements are generally at a slower pace. It's by no means a poor album - it just turns out as somewhat incoherent, and as a difficult follow-up to a great debut.
[ allmusic.com 3 / 5, Smash Hits 4 / 5 stars ]
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| 1980 cover |
