Showing posts with label Outkast. Show all posts
Showing posts with label Outkast. Show all posts

23 September 2017

Outkast "Speakerboxxx / The Love Below" (2003)

Speakerboxxx / The Love Below
release date: Sep. 23, 2003
format: 2 cd
[album rate: 4 / 5] [3,86]
producer: André 3000, Big Boi [Outkast]
label: Arista - nationality: USA

Track highlights: Disc 1: 2. "Ghetto Musick" - 5. "The Way You Move" (feat. Sleepy Brown) - 9. "Church" - 13. "Knowing" - 16. "Reset" (feat. Khujo & Cee Lo Green) - - Disc 2: 4. "Happy Valentine's Day" - 5. "Spread" - 7. "Prototype" - 9. "Hey Ya!" (5 / 5) - 10. "Roses"

5th studio album by Outkast originally released by LaFace Records is like the predecessor Stankonia a release where André 3000 [André Benjamin] and Big Boi [Antwan Patton] has taken increasingly more control. The album is the band's most ambitious to date - released as a double disc cd with two hours and 14 mins. playing time. Unable to agree on which musical shape or direction to settle for led the duo to the decision to release two albums as one, where André and Big Boi would have the final say for their own disc on the double release. Big Boi is credited as songwriter on the majority of the songs on disc 1, labelled "Speakerboxxx", and André 3000 as songwriter on the songs on disc 2, "The Love Below".
The "Speakerboxxx" disc is the genre-wise most hip hop-styled collection and perhaps the disc where Outkast sounds the most like themselves keeping to known ingredients and continuing from where the left on Stankonia, although, with Outkast you know they explore and incorporate a great deal. They also use a lot of sampling, which is done very nicely. On "The Love Below" they thread on new territories, experiment and expand the genre further than before by implementing jazz and funk. André 3000 takes the band into the discotheque, and with songs like "Hey Ya!" and "Roses" they enter the charts everywhere, but it's also the most diverse and most experimental disc on the album.
The album is the band's best-selling album to date topping the US Billboard 200 list but also selling Diamond (which is 10 x Platinum; the album actually sold 11 x Platinum in the US alone: more than 11 million copies), and it received wide-spread acclaim and won three Grammy Awards, including Album of the Year; and it's enlisted on numerous best of lists, including "1001 Albums You Must Hear Before You Die" as the second by the band.
The album was my first with the band, and for some time, I thought of it as their best, but after becoming familiar with their earlier albums and style, I think of it as a fine but rather peculiar and difficult great achievement.
Highly recommended.
[ allmusic.com 4,5 / 5, Blender, The Guardian 5 / 5, NME, Rolling Stone 4 / 5 stars ]

29 September 2016

Outkast "Aquemini" (1998)

Aquemini
release date: Sep. 29, 1998
format: cd
[album rate: 3,5 / 5] [3,68]
producer: Outkast, Organized Noize, Mr. DJ, Donny Mathis
label: LaFace - nationality: USA

Track highlights: 2. "Return of the 'G' " - 3. "Rosa Parks" - 4. "Skew It on the Bar-B" (feat. Raekwon) - 5. "Aquemini" - 8. "West Savannah" - 11. "Mamacita" - 12. "SpottieOttieDopaliscious" - 15. "Liberation"

3rd studio album by Outkast is an album controlled more by the duo of André Benjamin and Antwan Patton as primary producers and as arrangers of album concept and songs, which has been recorded with a wide range of featuring artists, who has also had influence on the writing process.
Stylistically, the duo experiments more with its style and incorporates all sorts of instruments on an album that maybe referred to as southern hip hop and conscious hip hop but also pays more attention on neo-soul than previously.
I didn't get to listen to the album before discovering their perhaps most wide-spread success with Speakerboxxx / The Love Below from 2003 and the acclaimed follow-up to this one, Stankonia from 2000, but I simply feel that "Aquemini" is the duo's best and best balanced album ever. Speakerboxxx... is the bolder move into popular music with its fusion of contemporary r&b, neo-soul and hip hop but also points in so many directions that you had absolutely no idea of where they'd go from there on. On the 2000 album they try to be more hardcore, but in essence that is also a fine album, though.
Recommended.
[ allmusic.com, Q Magazine 5 / 5, Spin 4,5 / 5, Uncut, Rolling Stone 4 / 5 stars ]