release date: Apr. 19, 2019
format: vinyl / digital (10 x File, FLAC)
[album rate: 4 / 5] [3,84]
producer: Daniel Norgren
label: Superpuma / self-released - nationality: Sweden
Track highlights: 2. "The Flow" - 3. "Dandelion Time" - 4. "The Power" (4 / 5) (live) - 5. "Rolling Rolling Rolling" - 6. "So Glad" - 8. "The Day That´s Just Begun" (live on KEXP)
Studio album by Swedish guitarist and songwriter Daniel Norgren originally released on vinyl and cd on Superpuma Records, and released as digital album via Norgren's bandcamp profile. The album is filed as Norgren's seventh full-length studio album and it follows two studio albums released in 2015: The Green Stone (Oct. 2015) and Alabursy (Apr. 2015). Since then, he has released a US-promotion compilation Skogens frukter (May. 2017) released on vinyl for the American market only.
I only recently knowingly discovered the music by Norgren. I was watching the 2022 Italian film "Le otto montagne" ("The Eight Mountains"), an adaptation by directors Felix van Groeningen and Charlotte Vandermeerschof of the 2016 novel debut by Paolo Cognetti, and I then made sure to pay attention to the music credits at the end of the film, and there I noticed that Daniel Norgren was credited all music. The music score was a most fitting mesmerising dimension to a beautiful film and it left me curious to check out more about this artist. I then discovered Norgren's bandcamp site - understood he is Swedish, although, I had been convinced it was an American artist - I then purchased several of his digital albums after receiving Wooh Dang, which appears to be his most recent studio album, and one that made me want more. All of his albums, or at least all of his seven full-length studio albums that I have come to know of, seem differently shaped. From his first album out Kerosene Dreams (2006) - an album which for some reason isn't included on his bandcamp site and an album I have come to know of via a major streaming service (and which isn't part of my six purchases) - through to Outskirts (2008) and Horrifying Deatheating Bloodspider (2010), Norgren appears much influenced by especially Tom Waits and Captain Beefheart, and then from Buck (2013), Alabursy and Green Stone, his music influences appear more complex with a stronger country foundation, and they all represent music with bonds to more original blues traditions with a bolder accentuated folk at the base, and then you could also say similar things of his more apparent experimental approach on his later albums.
Wooh Dang is modern indie folk with an experimental touch from someone who must be familiar with bluegrass, roots rock and a whole world of country. In that way, it's hard to pin out other Swedish acts as natural influences when Norgren's touch mostly sounds if shaped through the ages of American outback culture. Daniel Norgren is not only a great songwriter and composer, he also narrates and sings in a highly original tone. You can't always tell where it's going, but the journey, so far, is only a most delightful and pleasant one.
Highly recommended.
👉[ Norgren on bandcamp]
