Lotte Kestner "Lost Songs" (2022)

Lost Songs

release date: Feb. 11, 2022

format: digital (13 x File, FLAC)

[album rate: 3,5 / 5] [3,70]

producer: Anna-Lynne Williams

label: self-released - nationality: USA

Track highlights: 1. "Open Ocean" (4 / 5) - 2. "Slip" - 3. "Weaving" - 5. "Colors That Did Not Exist" - 8. "You Must Have" - 12. "Fade Away" - 13. "Inside of Love"

Solo album by Lotte Kestner (aka Anna-Lynne Williams), former songwriter and vocalist in Seattle folk-quartet Trespassers William, a band which after years with an ever-changing line-up ended up as the duo-project by the only lasting members: Williams and composer / guitarist Matt Brown. After the split from Brown, Williams had a short stint and made two albums with Ormonde - another duo-project (this time with Robert Gomez) - she then concentrated on her already highly original solo career as Lotte Kestner (debuted with China Mountain in 2008).

Lost Songs appears to be her seventh, eigth or ninth solo album. It's not the easyist task to enlist her solo albums. Some releases are pure cover albums, some are alternate mixes, remixes, and with titles like Solo Versions (2017) and Other Versions (2018) it's rather hard to distinguish what's really new releases in a traditional sense. And Lost Songs follows this pattern by both being a studio album of 13 tracks but also a collection of songs composed over [what I read somewhere is] a ten year period. On previous releases Kestner has made it a bit of her thing to do cover versions, and on this you'll find two songs: "Everything I Wanted" by Billie Eilish and "Inside of Love" by Nada Surf.

Kestner's trademarks are slow to very slow folkish material held in lo-fi productions, typically arranged with Kestner's gentle vocal accompanied by the strumming of a guitar and at times with occasional accompanying piano, backing harmonies and soft percussion. Several passages brings to mind folk traditonalists as Joni Mitchell and / or Emmylou Harris, although Kestner's songs are not exemplified entirely by stunning vocal range or the strengths of vocal performances - instead it dwells on a narrow palette of grey colours and emmotional melancholic sensation. That may not sound impressing as such, but Kestner does what she does without much fuzz and still the end result is quality music.

I enjoy this quite a bit, only, at times I find somewhat narrow with little variation but it's all done with artistic conviction.

[ bandcamp ]

[ HeavyPop (German) 7 / 10 stars ]

Eddie Vedder "Earthling" (2022)

Earthling

release date: Feb. 11, 2022

format: digital (13 x File, FLAC)

[album rate: 3,5 / 5] [3,58]

producer: Andrew Watt

label: Seattle Surf Co. / Republic Records - nationality: USA

Track highlights: 1. "Invincible" (live) - 2. "Power of Right" - 3. "Long Way" - 4. "Brother the Cloud" - 6. "The Dark" - 9. "Rose of Jericho" - 10. "Try" - 11. "Picture" - 13. "On My Way"

3rd solo album from Eddie Vedder released nearly 11 full years following Ukulele Songs (May 2011) and two years after Pearl Jam's latest Gigaton (Mar. 2020). Bearing the span of years in between solo-releases it may seem a little sought after to make comparisons, and you may better look at the latest works by Pearl Jam, or: just not compare at all! It's nevertheless interesting to focus on who, he has chosen to co-operate with, and here you find former Red Hot Chili Peppers guitarist Josh Klinghofer as co-composer on all 13 tracks - as many recall, he substituted John Frusciante in Red Hot Chili Peppers in 2009, only to be sacrifised (sat free) in 2020 when the very same Frusciante returned, thus participating on Unlimited Love (Apr. 2020). Apart from Klinghofer all tracks are credited Vedder and producer Andrew Watt (aka Andrew Wotman), who is also creditered as multi-instrumentalist - mostly on bass and guitar. Red Hot Chili Peppers' drummer Chad Smith is credited as co-composer on seven songs and he plays on nine. A small army of acclaimed artists partecipate on the individual tracks, e.g. Stevie Wonder on jews harp on "Try", Elton John as co-composer and vocalist on "Picture", where you allso find drummer Abe Laboriel Jr. (from Paul McCartney's touring band) and keyboardist Benmont Tench (from Tom Petty & The Heartbreakers) on Hammond organ, and on the Beatles-inspired "Mrs. Mills" we find... Ringo Starr on drums.

Once again, Vedder sings the way he does, and it's with a vocal with a clear structure and sound, which has its very own spot in the great American rock-history. On Earthling he delivers as vocalist on melodic tunes in the popular end of pop / rock - at least compared to his contributions with Pearl Jam, who embraces a harder and bolder alt. rock than found here. In that way, it's Vedder in a safe melodic rock-context for warranting an equilibrium of ballads and sheer amounts of juvenile smartness, as if to demonstrate there's still a spark in his musical foundation. The album conatins a few uptempo energetic tracks with a clear taste of Pearl Jam, you'll find melodic heartland rock and soft ballads, and in between it songs and pieces which is there to balance it all. Elton John immitates Elvis Costello on a decent track, although it's all heard before, and that's basically a notion you'll remind yourself of when Vedder builds as much as he does on his own back catalog with apparent inspiration from Springsteen, Tom Petty, The Beatles, U2 and from the great immitators: The Killers.

Overall, the album is quite nicely produced and sewn together, and it doesn't stir up any stylistic conventions. Vedder sings in a way that no panties are left dry, securing that all (real) men rock along. It may touch on predictable and not highly original, but on the other hand, when Pearl Jam are perfectly content in copying themselves over and over again, Vedder might as well just deliver as the lightning image of who he should be. I only miss, he had something to say but then again, I also find the pleasure in simply listening to his unique voice just the way it shines so bright. It's dad-rock and it's stadium-rock, and it's well-produced through and through as clever genuine craftsmanship.

[ allmusic.com 4,5 / 5, Rolling Stone 4 / 5, 👍Classic Rock 3,5 / 5, Pitchfork 6.7 / 10, NME 3 / 5 stars ]

BEST OF 2022: Hurray for the Riff Raff "Life on Earth" (2022)

Life on Earth

release date: Feb. 18, 2022

format: digital (11 x File, FLAC)

[album rate: 4 / 5] [4,14]

producer: Brad Cook

label: Nonesuch - nationality: USA

Track highlights: 1. "Wolves" - 2. "Pierced Arrows" - 3. "Pointed at the Sun" (4 / 5) - 4. "Rhododendron" - 5. "Jupiter's Dance" - 7. "Nightqueen" - 8. "Precious Cargo" - 9. "Rosemary Tears" - 10. "Saga"

8th studio album from New Orleans project band Hurra for the Riff Raff is the band's first on Nonesuch. From its origins as a multi-piece orchestra, the band has become synonymous with songwriter, composer, lead singer and guitarist Alynda Mariposa Segarra (aka Alynda 'Lee' Segarra) with roots in Puerto Rico and raised in the Bronx, New York. The band's name loosely translates to "Hurrah for Pack" meaning 'the underprivileged' (the homeless, the unemployed, immigrants) which relates to Segarra's own life lived on the American highways and as a blind passenger on freight trains, which was the preferred mode of transportation, after she ran away from her foster parents (her uncle and aunt) in the Bronx and headed for New Orleans. From here she ended up as a street musician and for a time she played banjo and washboard in the street band Dead Man Street Orchestra from 2007 to 2010, and with the band Hurray for the Riff Raff she made two self-released albums in 2008 and 2010, and she features on Six Feet Down (2010) with the band Tuba Skinny, which was an offshoot of the Dead Man Orchestra. In 2011, Segarra released the following album on the Loose label in 2011: Hurray for the Riff Raff as a solo release, whereas the 2012 follow-up Look Out Mama (also on Loose) is released as a band release. With 2013's My Dearest Darkest Neighbor, the band appears once again seemingly reduced to a solo project, (self-released and credited to Segarra's own label 'Mod Mobilian Records' and This Is American Music), which feature recordings from a 2013 UK tour. The most recent two albums Small Town Heroes (2014) and The Navigator from 2017 again seem like pure solo releases. The former is, however, recorded with several old acquaintances such as drummer and violinist Yosi Pearlstein, guitarist Sam Doores, and bassist Dan Cutler, who have all appeared on previous albums and they also played with the band on live tours but are not regular instrumentalists on all tracks and the cast credits reflect more that it's Segarra together with a wide variety of others. The album The Navigator is, like all previous studio albums, solely written and composed by Segarra, and here all other participating musicians are completely new names.

Life on Earth is undoubtedly Segarra's most beautifully produced album, although the predecessor also offered more tracks and reflected a more committed technical preparation than the more lo-fi arranged predecessors, which on the one hand are more closely connected to life as a street musician and on the other hand are not made to satisfy radio stations and the music industry as such. With Life on Earth, Segarra takes the full step as a significant contemporary artist with well-formed arrangements and a strong commitment to express her mind. It is a hybrid form of modern singer / songwriter which both echoes 70's folk rock as well as contain hints of punk rock's directness and at the same time she makes use of elements from classic rock and modern indie pop in a balanced form of her own. Some might point to memories of PJ Harvey, early St. Vincent, or other strong women in music, but it is most of all a highly original blend - and perhaps these type of comparison automatically happens when a single woman narrates with both sophisticated sting and sincerity, because Alynda Segarra's expression comes from a strong personality, and she has her own distinctive melancholy and at the same time a devilish energy, which saturates a number of beautiful, relevant and original compositions.

The album has already garnered good reviews, and Hurray for the Riff Raff has entered the charts with the album and has appeared in major national TV shows.

In my opinion, Life on Earth is no less than album of the year, and naturally a highly recommended album.

[ bandcamp ]

[ Pitchfork 8,3 / 10, The Guardian 4 / 5 stars]

2022 Favourite releases: 1. Hurray for the Riff Raff Life on Earth - 2. Big Thief Dragon New Warm Mountain I Believe in You - 3. Band of Horses Things Are Great